{"title":"Box Set Sale - 40% Off","description":null,"products":[{"product_id":"bach-goldberg-variations-deluxe-4cd","title":"Bach: Goldberg Variations Deluxe 4CD","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eBach's monumental \u003ci\u003eGoldberg Variations\u003c\/i\u003e stand alone in the piano literature as a work of unique artistry and brilliance. \u003c\/p\u003e\n\u003cp\u003eLang Lang first began exploring this masterpiece more than 20 years ago and presents this record as the outcome of a long personal and emotional journey. \u003c\/p\u003e\n\u003cp\u003eMarking a new stage in Lang Lang's artistic development, it is the project of a lifetime. \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAlongside a studio recording is a contrasting performance, a single take from a recital in Leipzig's iconic St Thomas Church, where Bach worked and is now buried.\u003c\/p\u003e\n\u003cp\u003eThe heart of this project is the deluxe edition - a unique offering with simultaneous studio \u0026amp; live recording.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 1\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e1. ARIA\u003cbr\u003e\u003cspan lang=\"en-GB\"\u003e2. VARIATIO 1 A 1 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e3. VARIATIO 2 A 1 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e4. VARIATIO 3 A 1 CLAV. CANONE ALL’UNISUONO\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e5. VARIATIO 4 A 1 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e6. VARIATIO 5 A 1 OV VERO 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e7. VARIATIO 6 A 1 CLAV. CANONE ALLA SECONDA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e8. VARIATIO 7 A 1 OV VERO 2 CLAV. AL TEMPO DI GIGA\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e9. VARIATIO 8 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e10. VARIATIO 9 A 1 CLAV. CANONE ALLA TERZA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e11. VARIATIO 10 A 1 CLAV. FUGHETTA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e12. VARIATIO 11 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e13. VARIATIO 12. CANONE ALLA QUARTA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e14. VARIATIO 13 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e15. VARIATIO 14 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e16. VARIATIO 15 A 1 CLAV. CANONE ALLA QUINTA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan lang=\"en-GB\"\u003e\u003cstrong\u003eCD 2\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e\u003cbr\u003e1. VARIATIO 16 A 1 CLAV. OUVERTURE\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e2. VARIATIO 17 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e3. VARIATIO 18 A 1 CLAV. CANONE ALLA SESTA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e4. VARIATIO 19 A 1 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e5. VARIATIO 20 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e6. VARIATIO 21. CANONE ALLA SETTIMA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e7. VARIATIO 22 A 1 CLAV. ALLA BREVE\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e8. VARIATIO 23 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e9. VARIATIO 24 A 1 CLAV. CANONE ALL’OTTAVA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e10. VARIATIO 25 A 2 CLAV. ADAGIO\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e11. VARIATIO 26 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e12. VARIATIO 27 A 2 CLAV. CANONE ALLA NONA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e13. VARIATIO 28 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e14. VARIATIO 29 A 1 OV VERO 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e15. VARIATIO 30 A 1 CLAV. QUODLIBET\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e16. ARIA DA C APO E FINE\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan lang=\"en-GB\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLive Recording\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eCD 3\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. ARIA\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e\u003cbr\u003e2. VARIATIO 1 A 1 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e3. VARIATIO 2 A 1 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e4. VARIATIO 3 A 1 CLAV. CANONE ALL’UNISUONO\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e5. VARIATIO 4 A 1 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e6. VARIATIO 5 A 1 OV VERO 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e7. VARIATIO 6 A 1 CLAV. CANONE ALLA SECONDA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e8. VARIATIO 7 A 1 OV VERO 2 CLAV. AL TEMPO DI GIGA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e9. VARIATIO 8 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e10. VARIATIO 9 A 1 CLAV. CANONE ALLA TERZA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e11. VARIATIO 10 A 1 CLAV. FUGHETTA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e12. VARIATIO 11 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e13. VARIATIO 12. CANONE ALLA QUARTA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e14. VARIATIO 13 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e15. VARIATIO 14 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e16. VARIATIO 15 A 1 CLAV. CANONE ALLA QUINTA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-GB\"\u003eCD 4\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e\u003cbr\u003e1. VARIATIO 16 A 1 CLAV. OUVERTURE\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e2. VARIATIO 17 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e3. VARIATIO 18 A 1 CLAV. CANONE ALLA SESTA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e4. VARIATIO 19 A 1 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e5. VARIATIO 20 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e6. VARIATIO 21. CANONE ALLA SETTIMA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e7. VARIATIO 22 A 1 CLAV. ALLA BREVE\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e8. VARIATIO 23 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e9. VARIATIO 24 A 1 CLAV. CANONE ALL’OTTAVA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e10. VARIATIO 25 A 2 CLAV. ADAGIO\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e11. VARIATIO 26 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e12. VARIATIO 27 A 2 CLAV. CANONE ALLA NONA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e13. VARIATIO 28 A 2 CLAV.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-GB\"\u003e14. 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Everything the artist recorded for the company from signing his contract until 1973 is here, allowing critics and collectors and opera lovers once more to appreciate his exceptional achievement in that first decade for the Decca label.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEvery single track in the set has been remastered, under the supervision of long-term Decca balance engineer Philip Siney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is the first of three major releases in The Pavarotti Edition in 2014, of which the second is due in mid-2014, focusing on his remarkable middle period when he became an operatic star known as The King of the High Cs. The third, due late in 2014, is entitled The People s Tenor and will reflect the period when his fame extended across the world and transcended the classical genre.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe set includes an anniversary re-issue in vinyl of the famous May 1964 original first EP, cut by Pavarotti as his first recording for Decca five arias including Che gelida manina from La Bohème, E lucevan le stelle from Tosca and three arias from Rigoletto.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt also includes a Bonus CD of Arias featuring the newly re-surfaced recording of Che gelida manina from Pavarotti s debut performance of La Bohème on April 29, 1961 at the Teatro Muncipale in Reggio Emilia, before his contract with Decca even commenced in 1963.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe collection serves to highlight the key partnerships in Pavarotti s early recording career. The Sutherland-Pavarotti-Bonynge relationship was the first to be enshrined on record in Bellini s Beatrice di Tenda (CD 1 2). Their Donizetti recordings La Fille du Régiment (CD 2 3) and L elisir d amore (CD 4 5) still have few rivals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOpera was not the sole musical outlet for the Pavarotti of the 1960s and 1970s. He sang in choral works, such as Verdi s Requiem and Rossini s Stabat Mater and as his reputation spread he became a dedicated recitalist. 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The film follows the turbulent five-year journey taken by Lepage and the New York Metropolitan Opera as they set about trying to realise Wagner’s dream of a perfect Ring.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eDisc 1\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003e1. Opening (Rheingold)\u003c\/p\u003e\n\u003cp\u003eDas Rheingold \/ Scene 1\u003c\/p\u003e\n\u003cp\u003e2. Vorspiel\u003c\/p\u003e\n\u003cp\u003e3. \"Weia! Waga! Woge du Welle!\"\u003c\/p\u003e\n\u003cp\u003e4. \"Garstig glatter glitschriger Glimmer!\"\u003c\/p\u003e\n\u003cp\u003e5. \"Lugt, Schwestern! Die Weckerin lacht in den Grund\"\u003c\/p\u003e\n\u003cp\u003e6. \"Der Welt Erbe Gewänn' ich zu eigen durch dich?\"\u003c\/p\u003e\n\u003cp\u003eDas Rheingold \/ Scene 2\u003c\/p\u003e\n\u003cp\u003e7. Wotan! Gemahl! Erwache!\u003c\/p\u003e\n\u003cp\u003e8. Hilf mir, Schwester\u003c\/p\u003e\n\u003cp\u003e9. Sanft schloß Schlaf dein Aug'\u003c\/p\u003e\n\u003cp\u003e10. \"Zu mir, Freia!\"\u003c\/p\u003e\n\u003cp\u003e11. \"Endlich, Loge!\"\u003c\/p\u003e\n\u003cp\u003e12. \"Immer ist Undank Loges Lohn!\"\u003c\/p\u003e\n\u003cp\u003e13. Des Reifes zu walten\u003c\/p\u003e\n\u003cp\u003e14. Hör', Wotan, der Harrenden Wort!\u003c\/p\u003e\n\u003cp\u003e15. Was sinnt nun Wotan so wild?\u003c\/p\u003e\n\u003cp\u003e16. Auf, Loge, hinab mit mir!\u003c\/p\u003e\n\u003cp\u003eDas Rheingold \/ Scene 3\u003c\/p\u003e\n\u003cp\u003e17. Hehe! Hieher! Tückischer Zwerg!\u003c\/p\u003e\n\u003cp\u003e18. Nibelheim hier\u003c\/p\u003e\n\u003cp\u003e19. Nehmt euch in acht! Alberich naht!\u003c\/p\u003e\n\u003cp\u003e20. Die in linder Lüfte Wehn\u003c\/p\u003e\n\u003cp\u003e21. Riesen-Wurm winde sich ringelnd!\u003c\/p\u003e\n\u003cp\u003eDas Rheingold \/ Scene 4\u003c\/p\u003e\n\u003cp\u003e22. Da, Vetter, sitze du fest!\u003c\/p\u003e\n\u003cp\u003e23. Gezahlt hab'ich\u003c\/p\u003e\n\u003cp\u003e24. Bin ich nun frei?\u003c\/p\u003e\n\u003cp\u003e25. Lauschtest du seinem Liebesgruß?\u003c\/p\u003e\n\u003cp\u003e26. Gepflanzt sind die Pfähle nach Pfandes Maß\u003c\/p\u003e\n\u003cp\u003e27. Weiche, Wotan, weiche!\u003c\/p\u003e\n\u003cp\u003e28. Hört, ihr Riesen!\u003c\/p\u003e\n\u003cp\u003e29. Halt, du Gieriger!\u003c\/p\u003e\n\u003cp\u003e30. Heda! Heda! Hedo!\u003c\/p\u003e\n\u003cp\u003e31. Abendlich strahlt der Sonne Auge\u003c\/p\u003e\n\u003cp\u003e32. \"Rheingold! Rheingold! Reines Gold!”\u003c\/p\u003e\n\u003cp\u003e33. Applause\u003c\/p\u003e\n\u003cp\u003e34. Closing Credits (Rheingold)\u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003e1. Rheingold - Rehearsal\u003c\/p\u003e\n\u003cp\u003e2. Backstage at the MET (Rheingold) - Deborah Voigt interviews Bryn Terfel\u003c\/p\u003e\n\u003cp\u003eDisc 2\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003e1. Opening Credits (Walküre)\u003c\/p\u003e\n\u003cp\u003eDie Walküre \/ Erster Aufzug\u003c\/p\u003e\n\u003cp\u003e2. Vorspiel\u003c\/p\u003e\n\u003cp\u003e3. Wes' Herd dies auch sei\u003c\/p\u003e\n\u003cp\u003e4. Kühlende Labung gab mir der Quell\u003c\/p\u003e\n\u003cp\u003e5. Müd am Herd fand ich den Mann\u003c\/p\u003e\n\u003cp\u003e6. Friedmund darf ich heißen\u003c\/p\u003e\n\u003cp\u003e7. Die so leidig Los dir beschied\u003c\/p\u003e\n\u003cp\u003e8. Ich weiß ein wildes Geschlecht\u003c\/p\u003e\n\u003cp\u003e9. Ein Schwert verhieß mir der Vater\u003c\/p\u003e\n\u003cp\u003e10. Schläfst du, Gast?\u003c\/p\u003e\n\u003cp\u003e11. Winterstürme wichen dem Wonnemond\u003c\/p\u003e\n\u003cp\u003e12. Du bist der Lenz\u003c\/p\u003e\n\u003cp\u003e13. \"Wehwalt heißt du fürwahr?\"\u003c\/p\u003e\n\u003cp\u003e14. Applause\u003c\/p\u003e\n\u003cp\u003eDie Walküre \/ Zweiter Aufzug\u003c\/p\u003e\n\u003cp\u003e15. Vorspiel\u003c\/p\u003e\n\u003cp\u003e16. Nun zäume dein Ross\u003c\/p\u003e\n\u003cp\u003e17. Der alte Sturm, die alte Müh'!\u003c\/p\u003e\n\u003cp\u003e18. So ist es denn aus mit den ewigen Göttern\u003c\/p\u003e\n\u003cp\u003e19. Was verlangst du?\u003c\/p\u003e\n\u003cp\u003e20. Schlimm, fürcht'ich, schloss der Streit\u003c\/p\u003e\n\u003cp\u003e21. Als junger Liebe Lust mir verblich\u003c\/p\u003e\n\u003cp\u003e22. Ein andres ist\u003c\/p\u003e\n\u003cp\u003e23. So nimmst du von Siegmund den Sieg?\u003c\/p\u003e\n\u003cp\u003e24. So sah ich Siegvater nie\u003c\/p\u003e\n\u003cp\u003e25. Raste nun hier; gönne dir Ruh\u003c\/p\u003e\n\u003cp\u003e26. Hinweg! Hinweg! Flieh die Entweihte!\u003c\/p\u003e\n\u003cp\u003e27. Siegmund! Sieh' auf mich!\u003c\/p\u003e\n\u003cp\u003e28. Hehr bist du, und heilig\u003c\/p\u003e\n\u003cp\u003e29. So wenig achtest du ewige Wonne?\u003c\/p\u003e\n\u003cp\u003e30. Zauberfest bezähmt ein Schlaf\u003c\/p\u003e\n\u003cp\u003e31. Wehwalt! Wehwalt!\u003c\/p\u003e\n\u003cp\u003e32. Applause\u003c\/p\u003e\n\u003cp\u003eDie Walküre \/ Dritter Aufzug\u003c\/p\u003e\n\u003cp\u003e33. Der Walküren-Ritt - Hojotoho!\u003c\/p\u003e\n\u003cp\u003e34. Schützt mich und helft in höchster Not!\u003c\/p\u003e\n\u003cp\u003e35. Nicht sehre dich Sorge um mich\u003c\/p\u003e\n\u003cp\u003e36. Wo ist Brünnhild', wo die Verbrecherin?\u003c\/p\u003e\n\u003cp\u003e37. Hier bin ich Vater: gebiete die Strafe!\u003c\/p\u003e\n\u003cp\u003e38. War es so schmählich, was ich verbrach\u003c\/p\u003e\n\u003cp\u003e39. Nicht weise bin ich, doch wusst' ich das eine\u003c\/p\u003e\n\u003cp\u003e40. Wohl taugte dir nicht die tör'ge Maid\u003c\/p\u003e\n\u003cp\u003e41. Leb wohl, du kühnes, herrliches Kind!\u003c\/p\u003e\n\u003cp\u003e42. Der Augen leuchtendes Paar\u003c\/p\u003e\n\u003cp\u003e43. Loge, hör! Lausche hieher!\u003c\/p\u003e\n\u003cp\u003e44. Applause\u003c\/p\u003e\n\u003cp\u003e45. Credits (Walküre)\u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003e1. Leitmotifs\u003c\/p\u003e\n\u003cp\u003e2. Backstage at the MET (Walküre) - Placido Domingo interviews Deborah Voigt\u003c\/p\u003e\n\u003cp\u003e3. Backstage at the MET (Walküre) - Joyce DiDonato interviews Stephanie Blythe\u003c\/p\u003e\n\u003cp\u003e4. Backstage at the MET (Walküre) - Placido Domingo interviews Jonas Kaufmann and Eva-Maria Westbroek\u003c\/p\u003e\n\u003cp\u003e5. Backstage at the MET (Walküre) - Joyce DiDonato interviews Bryn Terfel\u003c\/p\u003e\n\u003cp\u003e6. Backstage at the MET (Walküre) - Joyce DiDonato interviews John Sellars\u003c\/p\u003e\n\u003cp\u003e7. Backstage at the MET (Walküre) - Placido Domingo interviews The Valkyries\u003c\/p\u003e\n\u003cp\u003eDisc 3\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003e1. Opening Credits (Siegfried)\u003c\/p\u003e\n\u003cp\u003eSiegfried \/ Erster Aufzug\u003c\/p\u003e\n\u003cp\u003e2. Vorspiel\u003c\/p\u003e\n\u003cp\u003e3. Zwangvolle Plage! Müh ohne Zweck!\u003c\/p\u003e\n\u003cp\u003e4. Hoiho! Hau ein!\u003c\/p\u003e\n\u003cp\u003e5. Als zullendes Kind zog ich dich auf\u003c\/p\u003e\n\u003cp\u003e6. Es sangen die Vöglein so selig im Lenz\u003c\/p\u003e\n\u003cp\u003e7. Einst lag wimmernd ein Weib\u003c\/p\u003e\n\u003cp\u003e8. Des Niblungen Neid\u003c\/p\u003e\n\u003cp\u003e9. Wie werd' ich den Lauernden los?\u003c\/p\u003e\n\u003cp\u003e10. Nun rede, weiser Zwerg\u003c\/p\u003e\n\u003cp\u003e11. Nun ehrlicher Zwerg\u003c\/p\u003e\n\u003cp\u003e12. Dreimal solltest du fragen\u003c\/p\u003e\n\u003cp\u003e13. Verfluchtes Licht!\u003c\/p\u003e\n\u003cp\u003e14. Fühltest du nie im finstren Wald\u003c\/p\u003e\n\u003cp\u003e15. Des Vaters Stahl fügt sich wohl mir\u003c\/p\u003e\n\u003cp\u003e16. Nothung heißt ein neidliches Schwert\u003c\/p\u003e\n\u003cp\u003e17. Hoho! Hohei! Schmiede, mein Hammer\u003c\/p\u003e\n\u003cp\u003e18. Applause\u003c\/p\u003e\n\u003cp\u003eSiegfried \/ Zweiter Aufzug\u003c\/p\u003e\n\u003cp\u003e19. Vorspiel\u003c\/p\u003e\n\u003cp\u003e20. In Wald und Nacht\u003c\/p\u003e\n\u003cp\u003e21. Zur Neidhöhle fuhr ich bei Nacht\u003c\/p\u003e\n\u003cp\u003e22. Mit mir nicht, hadre mit Mime\u003c\/p\u003e\n\u003cp\u003e23. Fafner! Fafner! Erwache, Wurm!\u003c\/p\u003e\n\u003cp\u003e24. Wir sind zur Stelle!\u003c\/p\u003e\n\u003cp\u003e25. Dass der mein Vater nicht ist\u003c\/p\u003e\n\u003cp\u003e26. Einer Waldweise, wie ich sie kann\u003c\/p\u003e\n\u003cp\u003e27. Da hätte mein Lied mir was Liebes erblasen!\u003c\/p\u003e\n\u003cp\u003e28. Wer bist du, kühner Knabe\u003c\/p\u003e\n\u003cp\u003e29. Zur Kunde taugt kein Toter\u003c\/p\u003e\n\u003cp\u003e30. Wohin schleichst du eilig und schlau\u003c\/p\u003e\n\u003cp\u003e31. Willkommen, Siegfried\u003c\/p\u003e\n\u003cp\u003e32. Neides Zoll zahlt Notung\u003c\/p\u003e\n\u003cp\u003e33. Heiß ward mir von der harten Last!\u003c\/p\u003e\n\u003cp\u003e34. Nun sing! Ich lausche dem Gesang\u003c\/p\u003e\n\u003cp\u003e35. Applause\u003c\/p\u003e\n\u003cp\u003eSiegfried \/ Dritter Aufzug\u003c\/p\u003e\n\u003cp\u003e36. Vorspiel\u003c\/p\u003e\n\u003cp\u003e37. Wache, Wala! Wala! Erwach!\u003c\/p\u003e\n\u003cp\u003e38. Mein Schlaf ist Träumen\u003c\/p\u003e\n\u003cp\u003e39. Dir Unweisen ruf'ich ins Ohr\u003c\/p\u003e\n\u003cp\u003e40. Dort seh ich Siegfried nahn\u003c\/p\u003e\n\u003cp\u003e41. Geduld, du Knabe!\u003c\/p\u003e\n\u003cp\u003e42. Zieh hin! Ich kann dich nicht halten!\u003c\/p\u003e\n\u003cp\u003e43. Selige Öde auf sonniger Höh'!\u003c\/p\u003e\n\u003cp\u003e44. Das ist kein Mann!\u003c\/p\u003e\n\u003cp\u003e45. Heil dir, Sonne! Heil dir, Licht!\u003c\/p\u003e\n\u003cp\u003e46. O Siegfried! Seliger Held!\u003c\/p\u003e\n\u003cp\u003e47. Dort seh' ich Grane\u003c\/p\u003e\n\u003cp\u003e48. Ewig war ich, ewig bin ich\u003c\/p\u003e\n\u003cp\u003e49. Applause\u003c\/p\u003e\n\u003cp\u003e50. Credits (Siegfried)\u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003e1. A new Siegfried for the MET\u003c\/p\u003e\n\u003cp\u003e2. Backstage at the MET (Siegfried) - Renée Fleming interviews Jay Hunter Morris\u003c\/p\u003e\n\u003cp\u003e3. Backstage at the MET (Siegfried) - Renée Fleming interviews Fabio Luisi\u003c\/p\u003e\n\u003cp\u003e4. Backstage at the MET (Siegfried) - Renée Fleming interviews Eric Owens and Mojca Erdmann\u003c\/p\u003e\n\u003cp\u003e5. Backstage at the MET (Siegfried) - Mary Jo Heath interviews Roger Parent\u003c\/p\u003e\n\u003cp\u003e6. Backstage at the MET (Siegfried) - Renée Fleming interviews Gerhard Siegel\u003c\/p\u003e\n\u003cp\u003e7. Backstage at the MET (Siegfried) - Renée Fleming interviews Bryn Terfel\u003c\/p\u003e\n\u003cp\u003e8. Backstage at the MET (Siegfried) - Renée Fleming interviews Deborah Voigt\u003c\/p\u003e\n\u003cp\u003eDisc 4\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003e1. Opening Credits (Götterdämmerung)\u003c\/p\u003e\n\u003cp\u003eGötterdämmerung \/ Prologue\u003c\/p\u003e\n\u003cp\u003e2. Einleitung\u003c\/p\u003e\n\u003cp\u003e3. Welch Licht leuchtet dort?\u003c\/p\u003e\n\u003cp\u003e4. Dämmert der Tag?\u003c\/p\u003e\n\u003cp\u003e5. Orchesterzwischenspiel (Tagesanbruch)\u003c\/p\u003e\n\u003cp\u003e6. Zu neuen Taten, teurer Helde\u003c\/p\u003e\n\u003cp\u003e7. Lass' ich, Liebste, dich hier\u003c\/p\u003e\n\u003cp\u003e8. Siegfrieds Rheinfahrt\u003c\/p\u003e\n\u003cp\u003eGötterdämmerung \/ Erster Aufzug\u003c\/p\u003e\n\u003cp\u003e9. Nun hör, Hagen\u003c\/p\u003e\n\u003cp\u003e10. Was weckst du Zweifel und Zwist!\u003c\/p\u003e\n\u003cp\u003e11. Vom Rhein her tönt das Horn\u003c\/p\u003e\n\u003cp\u003e12. Hoiho! Wohin, du heitrer Held?\u003c\/p\u003e\n\u003cp\u003e13. Begrüße froh, o Held, die Halle\u003c\/p\u003e\n\u003cp\u003e14. Willkommen, Gast, in Gibichs Haus\u003c\/p\u003e\n\u003cp\u003e15. Blühenden Lebens labendes Blut\u003c\/p\u003e\n\u003cp\u003e16. Hier sitz' ich zur Wacht\u003c\/p\u003e\n\u003cp\u003e17. Altgewohntes Geräusch\u003c\/p\u003e\n\u003cp\u003e18. Höre mit Sinn, was ich dir sage!\u003c\/p\u003e\n\u003cp\u003e19. Welch banger Träume Mären\u003c\/p\u003e\n\u003cp\u003eGötterdämmerung \/ Prologue\u003c\/p\u003e\n\u003cp\u003e20. Abendlich Dämmern\u003c\/p\u003e\n\u003cp\u003eGötterdämmerung \/ Erster Aufzug\u003c\/p\u003e\n\u003cp\u003e21. \"Brünnhild'! Ein Freier kam\"\u003c\/p\u003e\n\u003cp\u003e22. Jetzt bist du mein!\u003c\/p\u003e\n\u003cp\u003e23. Applause\u003c\/p\u003e\n\u003cp\u003eGötterdämmerung \/ Zweiter Aufzug\u003c\/p\u003e\n\u003cp\u003e24. Orchestervorspiel\u003c\/p\u003e\n\u003cp\u003e25. Schläfst du, Hagen, mein Sohn?\u003c\/p\u003e\n\u003cp\u003e26. Der Ewigen Macht, wer erbte sie?\u003c\/p\u003e\n\u003cp\u003e27. Hoiho, Hagen! Müder Mann!\u003c\/p\u003e\n\u003cp\u003e28. Hoiho! Ihr Gibichsmannen\u003c\/p\u003e\n\u003cp\u003e29. Heil dir, Gunther!\u003c\/p\u003e\n\u003cp\u003e30. Was ist ihr? Ist sie entrückt?\u003c\/p\u003e\n\u003cp\u003e31. Heil'ge Götter, himmlische Lenker!\u003c\/p\u003e\n\u003cp\u003e32. Helle Wehr! Heilige Waffe!\u003c\/p\u003e\n\u003cp\u003e33. Welches Unholds List liegt hier verhohlen?\u003c\/p\u003e\n\u003cp\u003e34. \"Dir hilft kein Hirn\"\u003c\/p\u003e\n\u003cp\u003e35. Applause\u003c\/p\u003e\n\u003cp\u003eGötterdämmerung \/ Dritter Aufzug\u003c\/p\u003e\n\u003cp\u003e36. Orchestervorspiel\u003c\/p\u003e\n\u003cp\u003e37. Frau Sonne sendet lichte Strahlen\u003c\/p\u003e\n\u003cp\u003e38. Ein Albe führte mich irr\u003c\/p\u003e\n\u003cp\u003e39. Siegfried, Schlimmes wissen wir dir\u003c\/p\u003e\n\u003cp\u003e40. Hoiho? - Hoiho!\u003c\/p\u003e\n\u003cp\u003e41. Mime hieß ein mürrischer Zwerg\u003c\/p\u003e\n\u003cp\u003e42. In Leid zu dem Wipfel lauscht' ich hinauf\u003c\/p\u003e\n\u003cp\u003e43. Brünnhilde, heilige Braut!\u003c\/p\u003e\n\u003cp\u003e44. Trauermarsch\u003c\/p\u003e\n\u003cp\u003e45. War das sein Horn?\u003c\/p\u003e\n\u003cp\u003e46. Schweigt eures Jammers\u003c\/p\u003e\n\u003cp\u003e47. Starke Scheite schichtet mir dort\u003c\/p\u003e\n\u003cp\u003e48. \"Mein Erbe nun nehm' ich zu eigen\"\u003c\/p\u003e\n\u003cp\u003e49. \"Grane, mein Roß, sei mir gegrüßt\"\u003c\/p\u003e\n\u003cp\u003e50. Applause\u003c\/p\u003e\n\u003cp\u003e51. Credits (Götterdämmerung)\u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003e1. Backstage at the MET (Götterdämmerung) - Patricia Racette interviews Robert Lepage\u003c\/p\u003e\n\u003cp\u003e2. Backstage at the MET (Götterdämmerung) - Patricia Racette interviews Wendy Bryn Harmer And Iain Paterson\u003c\/p\u003e\n\u003cp\u003e3. Backstage at the MET (Götterdämmerung) - Patricia Racette interviews Waltraud Meier\u003c\/p\u003e\n\u003cp\u003e4. Backstage at the MET (Götterdämmerung) - Patricia Racettte interviews Jay Hunter Morris\u003c\/p\u003e\n\u003cp\u003e5. Backstage at the MET (Götterdämmerung) - Patricia Racette interviews Deborah Voigt\u003c\/p\u003e\n\u003cp\u003e6. Backstage at the MET (Götterdämmerung) - Patricia Racette interviews Fabio Luisi\u003c\/p\u003e\n\u003cp\u003eWagner's Dream - The Making Of The Metropolitan Opera's New Der Ring Des Nibelungen (BR)\u003c\/p\u003e\n\u003cp\u003eDisc 5\u003c\/p\u003e\n\u003cp\u003e1. Wagner's Dream\u003c\/p\u003e\n\u003cp\u003e2. Imagining a New Ring\u003c\/p\u003e\n\u003cp\u003e3. Building the Machine\u003c\/p\u003e\n\u003cp\u003e4. Convincing the Crew\u003c\/p\u003e\n\u003cp\u003e5. Rolling Out the Machine\u003c\/p\u003e\n\u003cp\u003e6. Brünnhilde\u003c\/p\u003e\n\u003cp\u003e7. Solving Problems\u003c\/p\u003e\n\u003cp\u003e8. Das Rheingold: Opening Night\u003c\/p\u003e\n\u003cp\u003e9. Die Walküre: Hojotoho!\u003c\/p\u003e\n\u003cp\u003e10. Uncharted Territory\u003c\/p\u003e\n\u003cp\u003e11. A new Siegfried for the MET\u003c\/p\u003e\n\u003cp\u003e12. Götterdämmerung: Discovery\u003c\/p\u003e\n\u003cp\u003e13. The Pinnacle Moment\u003c\/p\u003e\n\u003cp\u003e14. Wagner's Dream End Credits\u003c\/p\u003e\n\u003cp\u003eBoxset Dimensions: 6.9\"x5.4\"x2.2\"\u003c\/p\u003e","brand":"Classical Centerstage Store","offers":[{"title":"Default Title","offer_id":41617406427345,"sku":"00044007347713","price":159.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/0374\/0369\/files\/TheMetropolitanOpera-Wagner-DerRingdesNibelungenandWagner_sDream-TheMakingoftheRing.png?v=1697488913"},{"product_id":"various-artists-brahms-complete-chamber-music","title":"Various Artists: Brahms: Complete Chamber Music","description":"\u003cp\u003eBrahms’s 24 major chamber-music works represent only a fraction of what he actually composed in the medium, but his strict self-discipline dictated that only the best survived – here complete, in performances by musicians of the highest standards and artistry.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eCD 1 – Brahms: Sonatas For Violin And Piano Nos.1-3; FAE Sonate\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – Sonata for Violin and Piano No.1 in G, Op.78\u003c\/p\u003e\n\u003cp\u003eAugustin Dumay, Maria João Pires\u003c\/p\u003e\n\u003cp\u003e1. Vivace ma non troppo\u003c\/p\u003e\n\u003cp\u003e2. Adagio\u003c\/p\u003e\n\u003cp\u003e3. Allegro molto moderato\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – Sonata for Violin and Piano No.2 in A, Op.100\u003c\/p\u003e\n\u003cp\u003eAugustin Dumay, Maria João Pires\u003c\/p\u003e\n\u003cp\u003e4. Allegro amabile\u003c\/p\u003e\n\u003cp\u003e5. Andante tranquillo - Vivace - Andante - Vivace di più - Andante vivace\u003c\/p\u003e\n\u003cp\u003e6. Allegretto grazioso (Quasi andante)\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – Sonata for Violin and Piano No 3 in D minor, Op.108\u003c\/p\u003e\n\u003cp\u003eAugustin Dumay, Maria João Pires\u003c\/p\u003e\n\u003cp\u003e7. Allegro\u003c\/p\u003e\n\u003cp\u003e8. Adagio\u003c\/p\u003e\n\u003cp\u003e9. Un poco presto e con sentimento\u003c\/p\u003e\n\u003cp\u003e10. Presto agitato\u003c\/p\u003e\n\u003cp\u003e11. Johannes Brahms - Scherzo in C minor for violin \u0026amp; piano (from the FAE-Sonata)\u003c\/p\u003e\n\u003cp\u003eChristian Ferras, Pierre Barbizet\u003c\/p\u003e\n\u003cp\u003eCD 2 – Brahms: Sonata For Cello And Piano Nos.1 \u0026amp; 2\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – Sonata For Cello And Piano No.1 In E Minor, Op.38\u003c\/p\u003e\n\u003cp\u003eMstislav Rostropovich, Rudolf Serkin\u003c\/p\u003e\n\u003cp\u003e1. Allegro non troppo\u003c\/p\u003e\n\u003cp\u003e2. Allegretto quasi minuetto\u003c\/p\u003e\n\u003cp\u003e3. Allegro - Più presto\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – Sonata For Cello And Piano No.2 In F, Op.99\u003c\/p\u003e\n\u003cp\u003eMstislav Rostropovich, Rudolf Serkin\u003c\/p\u003e\n\u003cp\u003e4. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e5. Adagio affettuoso\u003c\/p\u003e\n\u003cp\u003e6. Allegro passionato\u003c\/p\u003e\n\u003cp\u003e7. Allegro molto\u003c\/p\u003e\n\u003cp\u003eCD 3 – Brahms: Sonata For Clarinet And Piano Nos.1 \u0026amp; 2; Clarinet Trio In A Minor, Op.114\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – Sonata for Clarinet and Piano No.1 in F minor, Op.120 No.1\u003c\/p\u003e\n\u003cp\u003eJörg Demus, Karl Leister\u003c\/p\u003e\n\u003cp\u003e1. Allegro appassionato\u003c\/p\u003e\n\u003cp\u003e2. Andante un poco adagio\u003c\/p\u003e\n\u003cp\u003e3. Allegretto grazioso\u003c\/p\u003e\n\u003cp\u003e4. Vivace\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – Sonata for Clarinet and Piano No.2 in E flat, Op.120 No.2\u003c\/p\u003e\n\u003cp\u003eJörg Demus, Karl Leister\u003c\/p\u003e\n\u003cp\u003e5. Allegro amabile\u003c\/p\u003e\n\u003cp\u003e6. Appassionato, ma non troppo allegro\u003c\/p\u003e\n\u003cp\u003e7. Andante con moto\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – Clarinet Trio in A minor, Op.114\u003c\/p\u003e\n\u003cp\u003eTamás Vásáry, Karl Leister, Ottomar Borwitzky\u003c\/p\u003e\n\u003cp\u003e8. Allegro\u003c\/p\u003e\n\u003cp\u003e9. Adagio\u003c\/p\u003e\n\u003cp\u003e10. Andante grazioso\u003c\/p\u003e\n\u003cp\u003e11. Allegro\u003c\/p\u003e\n\u003cp\u003eCD 4 – Brahms: Piano Trio No.1 In B, Op.8; Piano Trio No.2 In C, Op.87\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms - Piano Trio No.1 in B, Op.8\u003c\/p\u003e\n\u003cp\u003eMaria João Pires, Augustin Dumay, Jian Wang\u003c\/p\u003e\n\u003cp\u003e1. Allegro con brio\u003c\/p\u003e\n\u003cp\u003e2. Scherzo (Allegro molto)\u003c\/p\u003e\n\u003cp\u003e3. Adagio\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms - Piano Trio No.2 in C, Op.87\u003c\/p\u003e\n\u003cp\u003eMaria João Pires, Augustin Dumay, Jian Wang\u003c\/p\u003e\n\u003cp\u003e5. Allegro\u003c\/p\u003e\n\u003cp\u003e6. Andante con moto\u003c\/p\u003e\n\u003cp\u003e7. Scherzo (Presto)\u003c\/p\u003e\n\u003cp\u003e8. Finale (Allegro giocoso)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eCD 5 – Brahms: Piano Trio No.3 In C Minor, Op.101; Piano Quartet No.2 In A, Op.26\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms - Piano Trio No.3 in C minor, Op.101\u003c\/p\u003e\n\u003cp\u003eTamás Vásáry, Thomas Brandis, Ottomar Borwitzky\u003c\/p\u003e\n\u003cp\u003e1. Allegro energico\u003c\/p\u003e\n\u003cp\u003e2. Presto non assai\u003c\/p\u003e\n\u003cp\u003e3. Andante grazioso\u003c\/p\u003e\n\u003cp\u003e4. Allegro molto\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms - Piano Quartet No.2 in A, Op.26\u003c\/p\u003e\n\u003cp\u003eTamás Vásáry, Thomas Brandis, Wolfram Christ, Ottomar Borwitzky\u003c\/p\u003e\n\u003cp\u003e5. Allegro non troppo\u003c\/p\u003e\n\u003cp\u003e6. Poco adagio\u003c\/p\u003e\n\u003cp\u003e7. Scherzo (Poco allegro)\u003c\/p\u003e\n\u003cp\u003e8. Finale (Allegro)\u003c\/p\u003e\n\u003cp\u003eCD 6 – Brahms: Piano Quartet No.1 In G Minor, Op.25; Piano Quartet No.3 In C Minor, Op.60\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms - Piano Quartet No.1 in G minor, Op.25\u003c\/p\u003e\n\u003cp\u003eTamás Vásáry, Thomas Brandis, Wolfram Christ, Ottomar Borwitzky\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. Intermezzo (Allegro ma non troppo)\u003c\/p\u003e\n\u003cp\u003e3. Andante con moto\u003c\/p\u003e\n\u003cp\u003e4. Rondo alla Zingarese\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – Piano Quartet No.3 in C minor, Op.60\u003c\/p\u003e\n\u003cp\u003eTamás Vásáry, Thomas Brandis, Wolfram Christ, Ottomar Borwitzky\u003c\/p\u003e\n\u003cp\u003e5. Allegro ma non troppo\u003c\/p\u003e\n\u003cp\u003e6. Scherzo (Allegro)\u003c\/p\u003e\n\u003cp\u003e7. Andante\u003c\/p\u003e\n\u003cp\u003e8. Finale (Allegro)\u003c\/p\u003e\n\u003cp\u003eCD 7 – Brahms: String Quartet No.1 In C Minor, Op.51 No.1; String Quartet No.2 In A Minor, Op.51 No.2\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – String Quartet No.1 in C minor, Op.51 No.1\u003c\/p\u003e\n\u003cp\u003eEmerson String Quartet\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. Romanze (Poco adagio)\u003c\/p\u003e\n\u003cp\u003e3. Allegretto molto moderato e comodo - Un poco più animato\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – String Quartet No.2 in A minor, Op.51 No.2\u003c\/p\u003e\n\u003cp\u003eEmerson String Quartet\u003c\/p\u003e\n\u003cp\u003e5. Allegro non troppo\u003c\/p\u003e\n\u003cp\u003e6. Andante moderato\u003c\/p\u003e\n\u003cp\u003e7. Quasi minuetto, moderato - Allegretto vivace\u003c\/p\u003e\n\u003cp\u003e8. Finale (Allegro non assai - Più vivace)\u003c\/p\u003e\n\u003cp\u003eCD 8 – Brahms: String Quartet No. 3 In B Flat, Op.67; Piano Quintet In F Minor, Op.34\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – String Quartet No.3 in B flat, Op.67\u003c\/p\u003e\n\u003cp\u003eEmerson String Quartet\u003c\/p\u003e\n\u003cp\u003e1. Vivace\u003c\/p\u003e\n\u003cp\u003e2. Andante\u003c\/p\u003e\n\u003cp\u003e3. Agitato (Allegretto non troppo)\u003c\/p\u003e\n\u003cp\u003e4. Poco allegretto con variazioni - Doppio movimento\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms - Piano Quintet in F minor, Op.34\u003c\/p\u003e\n\u003cp\u003eEmerson String Quartet, Leon Fleisher\u003c\/p\u003e\n\u003cp\u003e5. Allegro non troppo\u003c\/p\u003e\n\u003cp\u003e6. Andante, un poco adagio\u003c\/p\u003e\n\u003cp\u003e7. Scherzo (Allegro)\u003c\/p\u003e\n\u003cp\u003e8. Finale (poco sostenuto - Allegro non troppo)\u003c\/p\u003e\n\u003cp\u003eCD 9 – Brahms: String Quintet No.1 In F, Op.88; String Quintet No.2 In G, Op.111\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – String Quintet No.1 in F, Op.88\u003c\/p\u003e\n\u003cp\u003eGérard Caussé, Hagen Quartett\u003c\/p\u003e\n\u003cp\u003e1. Allegro non troppo, ma con brio\u003c\/p\u003e\n\u003cp\u003e2. Grave ed appassionato - Allegretto vivace - Tempo I - Presto\u003c\/p\u003e\n\u003cp\u003e3. Allegro energico\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – String Quintet No.2 in G, Op.111\u003c\/p\u003e\n\u003cp\u003eGérard Caussé, Hagen Quartett\u003c\/p\u003e\n\u003cp\u003e4. Allegro non troppo, ma con brio\u003c\/p\u003e\n\u003cp\u003e5. Adagio\u003c\/p\u003e\n\u003cp\u003e6. Un poco allegretto\u003c\/p\u003e\n\u003cp\u003e7. Vivace ma non troppo presto\u003c\/p\u003e\n\u003cp\u003eCD 10 – Brahms: Horn Trio In E Flat, Op.40; Clarinet Quintet In B Minor, Op.115\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – Horn Trio in E flat, Op.40\u003c\/p\u003e\n\u003cp\u003eTamás Vásáry, Thomas Brandis, Norbert Hauptmann\u003c\/p\u003e\n\u003cp\u003e1. Andante - Poco più animato\u003c\/p\u003e\n\u003cp\u003e2. Scherzo (Allegro)\u003c\/p\u003e\n\u003cp\u003e3. Adagio mesto\u003c\/p\u003e\n\u003cp\u003e4. Finale (Allegro con brio)\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – Clarinet Quintet in B minor, Op.115\u003c\/p\u003e\n\u003cp\u003eDavid Shifrin, Emerson String Quartet\u003c\/p\u003e\n\u003cp\u003e5. Allegro\u003c\/p\u003e\n\u003cp\u003e6. Adagio\u003c\/p\u003e\n\u003cp\u003e7. Andantino - Presto non assai, ma con sentimento\u003c\/p\u003e\n\u003cp\u003e8. Con moto\u003c\/p\u003e\n\u003cp\u003eCD 11 – Brahms: String Sextet No.1 In B Flat, Op.18; String Sextet No.2 In G, Op.36\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – String Sextet No.1 In B Flat, Op.18\u003c\/p\u003e\n\u003cp\u003eAmadeus Quartet, Cecil Aronowitz, William Pleeth\u003c\/p\u003e\n\u003cp\u003e1. Allegro ma non troppo\u003c\/p\u003e\n\u003cp\u003e2. Andante ma moderato\u003c\/p\u003e\n\u003cp\u003e3. Scherzo (Allegro molto)\u003c\/p\u003e\n\u003cp\u003e4. Rondo (Poco allegretto e grazioso)\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms – String Sextet No.2 In G, Op.36\u003c\/p\u003e\n\u003cp\u003eAmadeus Quartet, Cecil Aronowitz, William Pleeth\u003c\/p\u003e\n\u003cp\u003e5. Allegro non troppo\u003c\/p\u003e\n\u003cp\u003e6. Scherzo (Allegro non troppo)\u003c\/p\u003e\n\u003cp\u003e7. Poco adagio\u003c\/p\u003e\n\u003cp\u003e8. Poco allegro\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBoxset Dimensions: 5.5\"x4.9\"x0.4\"\u003c\/p\u003e","brand":"Classical Centerstage Store","offers":[{"title":"Default Title","offer_id":41617587765457,"sku":"00028947903789","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/0374\/0369\/files\/BrahmsBoxset.png?v=1697053949"},{"product_id":"eugen-jochum-bruckner-9-symphonies","title":"Eugen Jochum: Bruckner: 9 Symphonies","description":"\u003cp\u003eOne of the most celebrated conductors of the 20th century, Eugen Jochum was a leading interpreter of the works of Anton Bruckner. Famous for his fleet and impassioned Bruckner style, Jochum also perfectly captures the spirituality of each of the symphonies, from the first Schubertian strides of No. 1 to the bleak expanses of the unfinished Ninth.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr\u003eAnton Bruckner - Symphony No.1 in C minor - \"Linz Version\" 1866 \u003cbr\u003e1. Allegro molto moderato \u003cbr\u003e2. Adagio \u003cbr\u003e3. Scherzo. Lebhaft \u003cbr\u003e4. Finale. Bewegt und feurig\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 2 \u003cbr\u003eAnton Bruckner - Symphony No.2 in C minor \u003cbr\u003e1. Moderato \u003cbr\u003e2. Andante \u003cbr\u003e3. Scherzo. Maessig schnell \u003cbr\u003e4. Finale. Mehr schnell\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 3 \u003cbr\u003eAnton Bruckner - Symphony No.3 in D minor \u003cbr\u003e1. Mehr langsam, Misterioso \u003cbr\u003e2. Adagio, bewegt, quasi Andante \u003cbr\u003e3. Ziemlich schnell \u003cbr\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 4 \u003cbr\u003eAnton Bruckner - Symphony No.4 In E Flat Major - \"Romantic\" \u003cbr\u003e1. Bewegt, nicht zu schnell \u003cbr\u003e2. Andante quasi allegretto \u003cbr\u003e3. Scherzo (Bewegt) - Trio (Nicht zu schnell. Keinesfalls schleppend) \u003cbr\u003e4. Finale (Bewegt, doch nicht zu schnell)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 5 \u003cbr\u003eAnton Bruckner - Symphony No.5 in B flat major \u003cbr\u003e1. Introduction (Adagio) - Allegro (Mäßig) \u003cbr\u003e2. Adagio (Sehr langsam) \u003cbr\u003e3. Scherzo (Molto vivace, schnell) - Trio. Im gleichen Tempo \u003cbr\u003e4. Finale (Adagio - Allegro moderato)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 6 \u003cbr\u003eAnton Bruckner - Symphony No.6 in A major \u003cbr\u003e1. Maestoso \u003cbr\u003e2. Adagio. Sehr feierlich \u003cbr\u003e3. Scherzo. Nicht schnell - Trio. Langsam \u003cbr\u003e4. Finale. Bewegt, doch nicht zu schnell\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 7 \u003cbr\u003eAnton Bruckner - Symphony No.7 in E major \u003cbr\u003e1. Allegro moderato \u003cbr\u003e2. Adagio (Sehr feierlich und sehr langsam) \u003cbr\u003e3. Scherzo (Sehr schnell) \u003cbr\u003e4. Finale (Bewegt, doch nicht schnell)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 8 \u003cbr\u003eAnton Bruckner - Symphony No.8 in C minor \u003cbr\u003e1. Allegro moderato \u003cbr\u003e2. Scherzo (Allegro moderato) - Trio \u003cbr\u003e3. Adagio (Feierlich langsam, aber nicht schleppend) \u003cbr\u003e4. Finale (Feierlich, nicht schnell)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 9 \u003cbr\u003eAnton Bruckner - Symphony No.9 in D minor \u003cbr\u003e1. Feierlich. Misterioso \u003cbr\u003e2. Scherzo (Bewegt lebhaft) - Trio (Schnell) - Scherzo da capo \u003cbr\u003e3. Adagio (Langsam, feierlich)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBoxset Dimensions: 5.1\"x5.1\"x1.1\"\u003c\/p\u003e","brand":"Classical Centerstage Store","offers":[{"title":"Default Title","offer_id":41617587896529,"sku":"00028946981023","price":71.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/0374\/0369\/files\/BrucknerBoxset.png?v=1697054749"},{"product_id":"maurizio-pollini-beethoven-complete-piano-sonatas","title":"Maurizio Pollini - Beethoven: Complete Piano Sonatas","description":"\u003cp\u003e8 CDs, Capbox. Maurizio Pollini's Beethoven Sonatas cycle has reached completion after nearly 40 years. The Beethoven cycle began in June 1975 with opp. 109 and 110, and reached completion with the final CD, of the three sonatas op. 31 and the two of op. 49. This latter recording will appear as a single CD simultaneously with the box set. This is the first Beethoven cycle on DG since those of Barenboim and Giles in the 1980s.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eCD 1 – Beethoven: Piano Sonata No.1 In F Minor, Op.2 No.1; Piano Sonata No.2 In A, Op.2 No.2; Piano Sonata No.3 In C, Op.2 No.3\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.1 In F Minor, Op.2 No.1\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. Adagio\u003c\/p\u003e\n\u003cp\u003e3. Menuetto (Allegretto)\u003c\/p\u003e\n\u003cp\u003e4. Prestissimo\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.2 In A, Op.2 No.2\u003c\/p\u003e\n\u003cp\u003e5. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e6. Largo appassionato\u003c\/p\u003e\n\u003cp\u003e7. Scherzo (Allegretto)\u003c\/p\u003e\n\u003cp\u003e8. Rondo (Grazioso)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.3 In C, Op.2 No.3\u003c\/p\u003e\n\u003cp\u003e9. Allegro con brio\u003c\/p\u003e\n\u003cp\u003e10. Adagio\u003c\/p\u003e\n\u003cp\u003e11. Scherzo (Allegro)\u003c\/p\u003e\n\u003cp\u003e12. Allegro assai\u003c\/p\u003e\n\u003cp\u003eCD 2 – Beethoven: Piano Sonata No.4 In E Flat, Op.7; Piano Sonata No.9 In E, Op.14 No.1; Piano Sonata No.10 In G, Op.14 No.2; Piano Sonata No.11 In B Flat, Op.22\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.4 In E Flat, Op.7\u003c\/p\u003e\n\u003cp\u003e1. Allegro molto e con brio\u003c\/p\u003e\n\u003cp\u003e2. Largo, con gran espressione\u003c\/p\u003e\n\u003cp\u003e3. Allegro\u003c\/p\u003e\n\u003cp\u003e4. Rondo (Poco allegretto e grazioso)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.9 In E, Op.14 No.1\u003c\/p\u003e\n\u003cp\u003e5. Allegro\u003c\/p\u003e\n\u003cp\u003e6. Allegretto\u003c\/p\u003e\n\u003cp\u003e7. Rondo (Allegro comodo)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.10 In G, Op.14 No.2\u003c\/p\u003e\n\u003cp\u003e8. Allegro\u003c\/p\u003e\n\u003cp\u003e9. Andante\u003c\/p\u003e\n\u003cp\u003e10. Scherzo (Allegro assai)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.11 In B Flat, Op.22\u003c\/p\u003e\n\u003cp\u003e11. Allegro con brio\u003c\/p\u003e\n\u003cp\u003e12. Adagio con molto espressione\u003c\/p\u003e\n\u003cp\u003e13. Menuetto\u003c\/p\u003e\n\u003cp\u003e14. Rondo (Allegretto)\u003c\/p\u003e\n\u003cp\u003eCD 3 – Beethoven: Piano Sonata No.5 In C Minor, Op.10 No.1; Piano Sonata No.6 In F, Op.10 No.2; Piano Sonata No.7 In D, Op.10 No.3; Piano Sonata No.8 In C Minor, Op.13 -\"Pathétique\"\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.5 In C Minor, Op.10 No.1\u003c\/p\u003e\n\u003cp\u003e1. Allegro molto e con brio\u003c\/p\u003e\n\u003cp\u003e2. Adagio molto\u003c\/p\u003e\n\u003cp\u003e3. Finale (Prestissimo) Maurizio Pollini\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.6 In F, Op.10 No.2\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003e5. Allegretto\u003c\/p\u003e\n\u003cp\u003e6. Presto\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.7 In D, Op.10 No.3\u003c\/p\u003e\n\u003cp\u003e7. Presto\u003c\/p\u003e\n\u003cp\u003e8. Largo e mesto\u003c\/p\u003e\n\u003cp\u003e9. Menuetto (Allegro)\u003c\/p\u003e\n\u003cp\u003e10. Rondo (Allegro)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.8 In C Minor, Op.13 -\"Pathétique\"\u003c\/p\u003e\n\u003cp\u003e11. Grave - Allegro di molto e con brio\u003c\/p\u003e\n\u003cp\u003e12. Adagio cantabile\u003c\/p\u003e\n\u003cp\u003e13. Rondo (Allegro)\u003c\/p\u003e\n\u003cp\u003eCD 4 – Beethoven: Piano Sonata No.12 In A Flat, Op.26; Piano Sonata No.13 In E Flat, Op.27 No.1; Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -\"Moonlight\"; Piano Sonata No.15 In D, Op.28 -\"Pastorale\"\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.12 In A Flat, Op.26\u003c\/p\u003e\n\u003cp\u003e1. Andante con variazioni\u003c\/p\u003e\n\u003cp\u003e2. Scherzo (Allegro molto)\u003c\/p\u003e\n\u003cp\u003e3. Marcia funebre sulla morte d'un Eroe\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.13 In E Flat, Op.27 No.1\u003c\/p\u003e\n\u003cp\u003e5. Andante - Allegro - Tempo I\u003c\/p\u003e\n\u003cp\u003e6. Allegro molto e vivace\u003c\/p\u003e\n\u003cp\u003e7. Adagio con espressione\u003c\/p\u003e\n\u003cp\u003e8. Allegro vivace - Tempo I - Presto\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -\"Moonlight\"\u003c\/p\u003e\n\u003cp\u003e9. Adagio sostenuto\u003c\/p\u003e\n\u003cp\u003e10. Allegretto\u003c\/p\u003e\n\u003cp\u003e11. Presto agitato\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.15 In D, Op.28 -\"Pastorale\"\u003c\/p\u003e\n\u003cp\u003e12. Allegro\u003c\/p\u003e\n\u003cp\u003e13. Andante\u003c\/p\u003e\n\u003cp\u003e14. Scherzo. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e15. Rondo. Allegro ma non troppo\u003c\/p\u003e\n\u003cp\u003eCD 5 – Beethoven: Piano Sonata No.16 In G Major, Op. No.1; Piano Sonata No.17 In D Minor, Op.31 No.2; Piano Sonata No.18 In E Flat Major, Op.31 No.3; Piano Sonata No.19 In G Minor, Op.49 No.1; Piano Sonata No.20 In G, Op.49 No.2\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.16 In G, Op.31 No.1\u003c\/p\u003e\n\u003cp\u003e1. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e2. Adagio grazioso\u003c\/p\u003e\n\u003cp\u003e3. Rondo (Allegretto)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.17 In D Minor, Op.31 No.2 -\"Tempest\"\u003c\/p\u003e\n\u003cp\u003e4. Largo - Allegro\u003c\/p\u003e\n\u003cp\u003e5. Adagio\u003c\/p\u003e\n\u003cp\u003e6. Allegretto\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.18 In E Flat, Op.31 No.3 -\"The Hunt\"\u003c\/p\u003e\n\u003cp\u003e7. Allegro\u003c\/p\u003e\n\u003cp\u003e8. Scherzo (Allegretto vivace)\u003c\/p\u003e\n\u003cp\u003e9. Menuetto (Moderato e grazioso)\u003c\/p\u003e\n\u003cp\u003e10. Presto con fuoco\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.19 In G Minor, Op.49 No.1\u003c\/p\u003e\n\u003cp\u003e11. Andante\u003c\/p\u003e\n\u003cp\u003e12. Rondo (Allegro)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.20 In G, Op.49 No.2\u003c\/p\u003e\n\u003cp\u003e13. Allegro ma non troppo\u003c\/p\u003e\n\u003cp\u003e14. Tempo di Menuetto\u003c\/p\u003e\n\u003cp\u003eCD 6 – Beethoven: Piano Sonata No.21 In C, Op.53; Piano Sonata No.22 In F, Op.54; Piano Sonata No.23 In F Minor, Op. 57; Piano Sonata No.24 In F Sharp, Op.78; Piano Sonata No.25 In G, Op.79\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.21 In C, Op.53 -\"Waldstein\"\u003c\/p\u003e\n\u003cp\u003e1. Allegro con brio\u003c\/p\u003e\n\u003cp\u003e2. Introduzione (Adagio molto)\u003c\/p\u003e\n\u003cp\u003e3. Rondo (Allegretto moderato - Prestissimo)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.22 In F, Op.54\u003c\/p\u003e\n\u003cp\u003e4. In Tempo d'un Menuetto\u003c\/p\u003e\n\u003cp\u003e5. Allegretto\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.23 In F Minor, Op.57 -\"Appassionata\"\u003c\/p\u003e\n\u003cp\u003e6. Allegro assai\u003c\/p\u003e\n\u003cp\u003e7. Andante con moto\u003c\/p\u003e\n\u003cp\u003e8. Allegro ma non troppo\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.24 In F Sharp, Op.78 \"For Therese\"\u003c\/p\u003e\n\u003cp\u003e9. Adagio cantabile - Allegro ma non troppo\u003c\/p\u003e\n\u003cp\u003e10. Allegro vivace\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.25 In G, Op.79\u003c\/p\u003e\n\u003cp\u003e11. Presto alla tedesca\u003c\/p\u003e\n\u003cp\u003e12. Andante\u003c\/p\u003e\n\u003cp\u003e13. Vivace\u003c\/p\u003e\n\u003cp\u003eCD 7 – Beethoven: Piano Sonata No.26 In E Flat, Op.81a; Piano Sonata No.27 In E Minor, Op.90; Piano Sonata No.29 In B Flat, Op.106\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.26 In E Flat, Op.81a -\"Les adieux\"\u003c\/p\u003e\n\u003cp\u003e1. Das Lebewohl (Adagio - Allegro)\u003c\/p\u003e\n\u003cp\u003e2. Abwesenheit (Andante espressivo)\u003c\/p\u003e\n\u003cp\u003e3. Das Wiedersehen (Vivacissimamente)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.27 In E Minor, Op.90\u003c\/p\u003e\n\u003cp\u003e4. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck\u003c\/p\u003e\n\u003cp\u003e5. Nicht zu geschwind und sehr singbar vorgetragen\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.29 In B Flat, Op.106 -\"Hammerklavier\"\u003c\/p\u003e\n\u003cp\u003e6. Allegro\u003c\/p\u003e\n\u003cp\u003e7. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I)\u003c\/p\u003e\n\u003cp\u003e8. Adagio sostenuto\u003c\/p\u003e\n\u003cp\u003e9. Largo - Allegro risoluto\u003c\/p\u003e\n\u003cp\u003eCD 8 – Beethoven: Piano Sonata No.28 In A, Op.101; Piano Sonata No.30 In E, Op.109; Piano Sonata No.31 In A Flat, Op.110; Piano Sonata No.32 In C Minor, Op.111\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.28 In A, Op.101\u003c\/p\u003e\n\u003cp\u003e1. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo)\u003c\/p\u003e\n\u003cp\u003e2. Lebhaft, marschmäßig (Vivace alla marcia)\u003c\/p\u003e\n\u003cp\u003e3. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto)\u003c\/p\u003e\n\u003cp\u003e4. Geschwind, doch nicht zu sehr und mit Entschlossenheit (Allegro)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.30 In E, Op.109\u003c\/p\u003e\n\u003cp\u003e5. Vivace, ma non troppo - Adagio espressivo - Tempo I\u003c\/p\u003e\n\u003cp\u003e6. Prestissimo\u003c\/p\u003e\n\u003cp\u003e7. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.31 In A Flat, Op.110\u003c\/p\u003e\n\u003cp\u003e8. Moderato cantabile molto espressivo\u003c\/p\u003e\n\u003cp\u003e9. Allegro molto\u003c\/p\u003e\n\u003cp\u003e10. Adagio ma non troppo - Fuga (Allegro ma non troppo)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.32 In C Minor, Op.111\u003c\/p\u003e\n\u003cp\u003e11. Maestoso - Allegro con brio ed appassionato\u003c\/p\u003e\n\u003cp\u003e12. Arietta (Adagio molto semplice e cantabile)\u003c\/p\u003e\n\u003cp\u003eBoxset Dimensions: 5.6\"x4.9\"x0.4\"\u003c\/p\u003e","brand":"Classical Centerstage Store","offers":[{"title":"Default Title","offer_id":41617587929297,"sku":"00028947941200","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/0374\/0369\/files\/MaurizioPBoxset.png?v=1697054857"},{"product_id":"zoltan-kocsis-complete-philips-recordings","title":"Zoltán Kocsis - Complete Philips Recordings","description":"\u003cp\u003eDecca presents the Complete Philips Recordings of Zoltán Kocsis on 26 CDs with the original jackets. Bringing together Kocsis’ benchmark recordings of Bartók’s solo piano works, acclaimed recordings of Bach’s Art of Fugue, Chopin, Debussy and Dohnányi; Liszt, Rachmaninoff, and Bartók concertos; a disc of piano transcriptions by Liszt and Kocsis of Wagner; and the first CD release of Greig’s Sonata in E minor.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eCD 1 – Bach: The Art Of Fugue, BWV 1080\u003c\/p\u003e\n\u003cp\u003eJohann Sebastian Bach – The Art of Fugue, BWV 1080\u003c\/p\u003e\n\u003cp\u003e1. Contrapunctus 1\u003c\/p\u003e\n\u003cp\u003e2. Contrapunctus 2\u003c\/p\u003e\n\u003cp\u003e3. Contrapunctus 3\u003c\/p\u003e\n\u003cp\u003e4. Contrapunctus 4\u003c\/p\u003e\n\u003cp\u003e5. Contrapunctus 5\u003c\/p\u003e\n\u003cp\u003e6. Contrapunctus 6 a 4 in Stylo Francese\u003c\/p\u003e\n\u003cp\u003e7. Contrapunctus 7 a 4 per Augmentationem et Diminutionem\u003c\/p\u003e\n\u003cp\u003e8. Contrapunctus 8 a 3\u003c\/p\u003e\n\u003cp\u003e9. Contrapunctus 9 a 4 alla Duodecima\u003c\/p\u003e\n\u003cp\u003e10. Contrapunctus 10 a 4 alla Decima\u003c\/p\u003e\n\u003cp\u003e11. Contrapunctus 11 a 4\u003c\/p\u003e\n\u003cp\u003eCD 2 – Bach: The Art Of Fugue, BWV 1080\u003c\/p\u003e\n\u003cp\u003eJohann Sebastian Bach – The Art of Fugue, BWV 1080\u003c\/p\u003e\n\u003cp\u003e1. Contrapunctus inversus 12 a 4 (Forma inversa)\u003c\/p\u003e\n\u003cp\u003e2. Contrapunctus inversus a 3 (Forma recta)\u003c\/p\u003e\n\u003cp\u003e3. Fuga a 3 Soggetti\u003c\/p\u003e\n\u003cp\u003e4. Canon alla Ottava\u003c\/p\u003e\n\u003cp\u003e5. Canon alla Decima in Contrapunto alla Terza\u003c\/p\u003e\n\u003cp\u003e6. Canon alla Duodecima in Contrapunto alla Quinta\u003c\/p\u003e\n\u003cp\u003e7. Canon per Augmentationem in Contrario Motu\u003c\/p\u003e\n\u003cp\u003e8. Canon in Hypodiatessaron, al roverscio e per augmenta- tionem, perpetuus\u003c\/p\u003e\n\u003cp\u003e9. Alio modo. Fuga a 2 Clav.\u003c\/p\u003e\n\u003cp\u003eCD 3 – Beethoven: Piano Sonatas Nos.1, 5, 8 \u0026amp; 17\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.1 in F minor, Op.2 No.1\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. Adagio\u003c\/p\u003e\n\u003cp\u003e3. Menuetto (Allegretto)\u003c\/p\u003e\n\u003cp\u003e4. Prestissimo\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.5 in C minor, Op.10 No.1\u003c\/p\u003e\n\u003cp\u003e5. Allegro molto e con brio\u003c\/p\u003e\n\u003cp\u003e6. Adagio molto\u003c\/p\u003e\n\u003cp\u003e7. Finale (Prestissimo)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.8 in C minor, Op.13 -\"Pathétique\"\u003c\/p\u003e\n\u003cp\u003e8. Grave - Allegro di molto e con brio\u003c\/p\u003e\n\u003cp\u003e9. Adagio cantabile\u003c\/p\u003e\n\u003cp\u003e10. Rondo (Allegro)\u003c\/p\u003e\n\u003cp\u003eLudwig van Beethoven – Piano Sonata No.17 in D minor, Op.31 No.2 -\"Tempest\"\u003c\/p\u003e\n\u003cp\u003e11. Largo - Allegro\u003c\/p\u003e\n\u003cp\u003e12. Adagio\u003c\/p\u003e\n\u003cp\u003e13. Allegretto\u003c\/p\u003e\n\u003cp\u003eCD 4 – Chopin: 19 Waltzes\u003c\/p\u003e\n\u003cp\u003e1. Frédéric Chopin – Waltz No.1 in E Flat, Op.18 -\"Grande Valse Brillante\"\u003c\/p\u003e\n\u003cp\u003e2. Frédéric Chopin – Waltz No.2 in A flat, Op.34 No.1 - \"Valse brillante\"\u003c\/p\u003e\n\u003cp\u003e3. Frédéric Chopin – Waltz No.3 in A minor, Op.34 No.2\u003c\/p\u003e\n\u003cp\u003e4. Frédéric Chopin – Waltz No.4 in F, Op.34 No.3\u003c\/p\u003e\n\u003cp\u003e5. Frédéric Chopin – Waltz No.5 in A flat, Op.42 - \"Grande valse\"\u003c\/p\u003e\n\u003cp\u003e6. Frédéric Chopin – Waltz No.6 in D Flat, Op.64 No.1 -\"Minute\"\u003c\/p\u003e\n\u003cp\u003e7. Frédéric Chopin – Waltz No.7 in C Sharp Minor, Op.64 No.2\u003c\/p\u003e\n\u003cp\u003e8. Frédéric Chopin – Waltz No.8 in A flat, Op.64 No.3\u003c\/p\u003e\n\u003cp\u003e9. Frédéric Chopin – Waltz No.9 in A Flat, Op.69 No.1 -\"Farewell\"\u003c\/p\u003e\n\u003cp\u003e10. Frédéric Chopin – Waltz No.10 in B Minor, Op.69 No.2\u003c\/p\u003e\n\u003cp\u003e11. Frédéric Chopin – Waltz No.11 in G Flat, Op.70 No.1\u003c\/p\u003e\n\u003cp\u003e12. Frédéric Chopin – Waltz No.12 in F minor\/A flat, Op.70 No.2\u003c\/p\u003e\n\u003cp\u003e13. Frédéric Chopin – Waltz No.13 in D flat, Op.70 No.3\u003c\/p\u003e\n\u003cp\u003e14. Frédéric Chopin – Waltz No.16 in A flat, Op.posth.\u003c\/p\u003e\n\u003cp\u003e15. Frédéric Chopin – Waltz No.15 in E, Op.posth.\u003c\/p\u003e\n\u003cp\u003e16. Frédéric Chopin – Waltz No.14 in E minor, Op.posth.\u003c\/p\u003e\n\u003cp\u003e17. Frédéric Chopin – Waltz No.19 in A minor, Op.posth.\u003c\/p\u003e\n\u003cp\u003e19. Frédéric Chopin – Waltz No.17 in E flat, Op.posth.\u003c\/p\u003e\n\u003cp\u003eCD 5 – Liszt: Années De Pèlerinage: Troisième Année\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – Années de pèlerinage: 3ème année, S.163\u003c\/p\u003e\n\u003cp\u003e1. Angelus (Prière aux anges gardiens)\u003c\/p\u003e\n\u003cp\u003e2. Aux cyprès de la Villa d'Este No.1 (Thrénodie)\u003c\/p\u003e\n\u003cp\u003e3. Aux cyprès de la Villa d'Este No.2 (Thrénodie)\u003c\/p\u003e\n\u003cp\u003e4. Les jeux d'eau à la Villa d'Este\u003c\/p\u003e\n\u003cp\u003e5. Sunt lacrimae rerum (En mode hongrois)\u003c\/p\u003e\n\u003cp\u003e6. Marche funèbre (En mémoire de Maximilien I)\u003c\/p\u003e\n\u003cp\u003e7. Sursum corda (Erhebet eure Herzen)\u003c\/p\u003e\n\u003cp\u003eCD 6 – Grieg: Piano Sonata In E Minor; Lyric Pieces\u003c\/p\u003e\n\u003cp\u003eEdvard Grieg – Piano Sonata in E minor, Op.7\u003c\/p\u003e\n\u003cp\u003e1. Allegro moderato - Allegro molto\u003c\/p\u003e\n\u003cp\u003e2. Andante molto\u003c\/p\u003e\n\u003cp\u003e3. Alla menuetto, ma poco più lento\u003c\/p\u003e\n\u003cp\u003e4. Finale (Molto allegro - Presto)\u003c\/p\u003e\n\u003cp\u003eEdvard Grieg – Lyric Pieces, Op.12\u003c\/p\u003e\n\u003cp\u003e5. Arietta\u003c\/p\u003e\n\u003cp\u003e6. Waltz\u003c\/p\u003e\n\u003cp\u003e7. Watchman's Song\u003c\/p\u003e\n\u003cp\u003e8. Fairy-dance\u003c\/p\u003e\n\u003cp\u003e9. Popular melody\u003c\/p\u003e\n\u003cp\u003e10. Norwegian melody\u003c\/p\u003e\n\u003cp\u003e11. Album-leaf\u003c\/p\u003e\n\u003cp\u003e12. National Song\u003c\/p\u003e\n\u003cp\u003eEdvard Grieg – Lyric Pieces III, Op.43\u003c\/p\u003e\n\u003cp\u003e13. Butterfly\u003c\/p\u003e\n\u003cp\u003e14. Solitary traveller\u003c\/p\u003e\n\u003cp\u003e15. In My Native Country\u003c\/p\u003e\n\u003cp\u003e16. Little Bird\u003c\/p\u003e\n\u003cp\u003e17. Erotikon\u003c\/p\u003e\n\u003cp\u003e18. To the Spring\u003c\/p\u003e\n\u003cp\u003eCD 7 – Liszt: Wagner Transcriptions\u003c\/p\u003e\n\u003cp\u003e1. Richard Wagner – Lohengrin: Elsas Brautzug zum Münster: Transcription S.445\u003c\/p\u003e\n\u003cp\u003e2. Richard Wagner – Tristan und Isolde: Vorspiel: Transcription\u003c\/p\u003e\n\u003cp\u003e3. Richard Wagner – Tristan und Isolde - Isoldes Liebestod, S.447\u003c\/p\u003e\n\u003cp\u003e4. Richard Wagner – Die Meistersinger von Nürnberg - Vorspiel\u003c\/p\u003e\n\u003cp\u003e5. Richard Wagner – Parsifal: Feierlicher Marsch: Transcription, S.450\u003c\/p\u003e\n\u003cp\u003eCD 8 – Debussy: Preludes Books 1 \u0026amp; 2\u003c\/p\u003e\n\u003cp\u003eClaude Debussy – Préludes - Book 1\u003c\/p\u003e\n\u003cp\u003e1. Danseuses de Delphes\u003c\/p\u003e\n\u003cp\u003e2. Voiles\u003c\/p\u003e\n\u003cp\u003e3. Le vent dans la plaine\u003c\/p\u003e\n\u003cp\u003e4. Les sons et les parfums tournent dans l'air du soir\u003c\/p\u003e\n\u003cp\u003e5. Les collines d'Anacapri\u003c\/p\u003e\n\u003cp\u003e6. Des pas sur la neige\u003c\/p\u003e\n\u003cp\u003e7. Ce qu'a vu le vent d'ouest\u003c\/p\u003e\n\u003cp\u003e8. La fille aux cheveux de lin\u003c\/p\u003e\n\u003cp\u003e9. La sérénade interrompue\u003c\/p\u003e\n\u003cp\u003e10. La cathédrale engloutie\u003c\/p\u003e\n\u003cp\u003e11. La danse de Puck\u003c\/p\u003e\n\u003cp\u003e12. Minstrels\u003c\/p\u003e\n\u003cp\u003eClaude Debussy – Préludes - Book 2\u003c\/p\u003e\n\u003cp\u003e13. Brouillards\u003c\/p\u003e\n\u003cp\u003e14. Feuilles mortes\u003c\/p\u003e\n\u003cp\u003e15. La puerta del vino\u003c\/p\u003e\n\u003cp\u003e16. \"Les fées sont d'exquises danseuses\"\u003c\/p\u003e\n\u003cp\u003e17. Bruyères\u003c\/p\u003e\n\u003cp\u003e18. \"General Lavine\" - eccentric\u003c\/p\u003e\n\u003cp\u003e19. La terrasse des audiences du clair de lune\u003c\/p\u003e\n\u003cp\u003e20. Ondine\u003c\/p\u003e\n\u003cp\u003e21. Hommage à S. Pickwick, Esq., P.P.M.P.C.\u003c\/p\u003e\n\u003cp\u003e22. Canope\u003c\/p\u003e\n\u003cp\u003e23. Les tierces alternées\u003c\/p\u003e\n\u003cp\u003e24. Feux d'artifice\u003c\/p\u003e\n\u003cp\u003eCD 9 – Debussy: Images Books 1 \u0026amp; 2\u003c\/p\u003e\n\u003cp\u003eClaude Debussy – Images - Book 1, L. 110\u003c\/p\u003e\n\u003cp\u003e1. Reflets dans l'eau\u003c\/p\u003e\n\u003cp\u003e2. Hommage à Rameau\u003c\/p\u003e\n\u003cp\u003e3. Mouvement\u003c\/p\u003e\n\u003cp\u003eClaude Debussy – Images - Book 2, L. 111\u003c\/p\u003e\n\u003cp\u003e4. Cloches à travers les feuilles\u003c\/p\u003e\n\u003cp\u003e5. Et la lune descend sur le temple qui fût\u003c\/p\u003e\n\u003cp\u003e6. Poissons d'or\u003c\/p\u003e\n\u003cp\u003eClaude Debussy – Images oubliées, L. 87\u003c\/p\u003e\n\u003cp\u003e7. Lent (mélancolique et doux)\u003c\/p\u003e\n\u003cp\u003e8. Souvenir du Louvre (Sarabande)\u003c\/p\u003e\n\u003cp\u003e9. Quelques aspects de \"Nous n'irons plus au bois parce qu'il fait un temps insupportable\u003c\/p\u003e\n\u003cp\u003e10. Claude Debussy – D'un cahier d'esquisses, L. 99\u003c\/p\u003e\n\u003cp\u003e11. Claude Debussy – L'Isle joyeuse, L. 106\u003c\/p\u003e\n\u003cp\u003eClaude Debussy – Deux Arabesques L. 66\u003c\/p\u003e\n\u003cp\u003e12. No. 1 Andante con moto\u003c\/p\u003e\n\u003cp\u003e13. No. 2 Allegretto scherzande\u003c\/p\u003e\n\u003cp\u003e14. Claude Debussy – Hommage à Haydn, L. 115\u003c\/p\u003e\n\u003cp\u003e15. Claude Debussy – Rêverie, L. 68\u003c\/p\u003e\n\u003cp\u003e16. Claude Debussy – Page d'album, L. 133 (Pour l'oeuvre du \"Vêtement du Blessé)\u003c\/p\u003e\n\u003cp\u003e17. Claude Debussy – Berceuse héroïque, L. 132\u003c\/p\u003e\n\u003cp\u003eCD 10 – Debussy: Childrens' Corner; Pour Le Piano; Estampes\u003c\/p\u003e\n\u003cp\u003eClaude Debussy – Children's Corner\u003c\/p\u003e\n\u003cp\u003e1. Doctor Gradus ad Parnassum\u003c\/p\u003e\n\u003cp\u003e2. Jimbo's Lullaby\u003c\/p\u003e\n\u003cp\u003e3. Serenade for the Doll\u003c\/p\u003e\n\u003cp\u003e4. The Snow is dancing\u003c\/p\u003e\n\u003cp\u003e5. The little Shepherd Zoltán Kocsis\u003c\/p\u003e\n\u003cp\u003e6. Golliwogg's Cakewalk\u003c\/p\u003e\n\u003cp\u003eClaude Debussy – Pour le piano, L. 95\u003c\/p\u003e\n\u003cp\u003e7. Prélude\u003c\/p\u003e\n\u003cp\u003e8. Sarabande\u003c\/p\u003e\n\u003cp\u003e9. Toccata\u003c\/p\u003e\n\u003cp\u003eClaude Debussy – Estampes, L. 100\u003c\/p\u003e\n\u003cp\u003e10. Pagodes\u003c\/p\u003e\n\u003cp\u003e11. Soirée dans Grenade\u003c\/p\u003e\n\u003cp\u003e12. Jardins sous la pluie\u003c\/p\u003e\n\u003cp\u003e13. Claude Debussy – La plus que lente (L. 121)\u003c\/p\u003e\n\u003cp\u003e14. Claude Debussy – Nocturne (L. 82)\u003c\/p\u003e\n\u003cp\u003e15. Claude Debussy – Valse romantique (L. 71)\u003c\/p\u003e\n\u003cp\u003e16. Claude Debussy – Ballade slave (L. 70)\u003c\/p\u003e\n\u003cp\u003e17. Claude Debussy – Le petit nègre\u003c\/p\u003e\n\u003cp\u003e18. Claude Debussy – Élégie (L. 38)\u003c\/p\u003e\n\u003cp\u003e19. Claude Debussy – Pièce pour piano (Morceau de concours) (L. 108)\u003c\/p\u003e\n\u003cp\u003e20. Claude Debussy – Mazurka (L. 67)\u003c\/p\u003e\n\u003cp\u003e21. Claude Debussy – Danse (Tarantelle styrienne) (L. 69)\u003c\/p\u003e\n\u003cp\u003eCD 11 – Debussy: Suite Bergamasque; Fantaisie; Ravel: Piano Concertos\u003c\/p\u003e\n\u003cp\u003eClaude Debussy – Suite bergamasque, L. 75\u003c\/p\u003e\n\u003cp\u003e1. Prélude\u003c\/p\u003e\n\u003cp\u003e2. Menuet\u003c\/p\u003e\n\u003cp\u003e3. Clair de lune\u003c\/p\u003e\n\u003cp\u003e4. Passepied\u003c\/p\u003e\n\u003cp\u003eClaude Debussy – Fantaisie For Piano \u0026amp; Orchestra, L.73\u003c\/p\u003e\n\u003cp\u003e5. Andante ma non troppo-Allegro giusto\u003c\/p\u003e\n\u003cp\u003e6. Lento e molto espressivo\u003c\/p\u003e\n\u003cp\u003e7. Allegro molto\u003c\/p\u003e\n\u003cp\u003eMaurice Ravel – Piano Concerto in G\u003c\/p\u003e\n\u003cp\u003e8. Allegramente\u003c\/p\u003e\n\u003cp\u003e9. Adagio assai\u003c\/p\u003e\n\u003cp\u003e10. Presto\u003c\/p\u003e\n\u003cp\u003eMaurice Ravel – Piano Concerto for the left hand in D\u003c\/p\u003e\n\u003cp\u003e11. Lento\u003c\/p\u003e\n\u003cp\u003e12. Allegro\u003c\/p\u003e\n\u003cp\u003e13. Tempo I\u003c\/p\u003e\n\u003cp\u003eCD 12 – Rachmaninov: Piano Sonata No.2 Etc\u003c\/p\u003e\n\u003cp\u003e1. Sergey Vasil'yevich Rachmaninov – Prelude in A, Op.32, No.9\u003c\/p\u003e\n\u003cp\u003e2. Sergey Vasil'yevich Rachmaninov – Prelude in F sharp minor, Op.23, No.1\u003c\/p\u003e\n\u003cp\u003e3. Sergey Vasil'yevich Rachmaninov – Etude-Tableau in B minor, Op.39, No.4\u003c\/p\u003e\n\u003cp\u003e4. Sergey Vasil'yevich Rachmaninov – Melodie in E, Op.3, No.3\u003c\/p\u003e\n\u003cp\u003e5. Sergey Vasil'yevich Rachmaninov – Prelude in B minor, Op.32, No.10\u003c\/p\u003e\n\u003cp\u003e6. Sergey Vasil'yevich Rachmaninov – Prelude in C minor, Op.23, No.7\u003c\/p\u003e\n\u003cp\u003e7. Sergey Vasil'yevich Rachmaninov – Prelude in F minor, Op.32, No.6\u003c\/p\u003e\n\u003cp\u003e8. Sergey Vasil'yevich Rachmaninov – Etude-Tableau in F minor, Op.33, No.1\u003c\/p\u003e\n\u003cp\u003e9. Sergey Vasil'yevich Rachmaninov – Etude-Tableau in C minor, Op.39, No.7\u003c\/p\u003e\n\u003cp\u003e10. Sergey Vasil'yevich Rachmaninov – Prelude in B flat minor, Op.32, No.2\u003c\/p\u003e\n\u003cp\u003e11. Sergey Vasil'yevich Rachmaninov – Serenade in B flat minor, Op.3, No.5\u003c\/p\u003e\n\u003cp\u003eSergey Vasil'yevich Rachmaninov – Piano Sonata No.2 in B flat minor, Op.36\u003c\/p\u003e\n\u003cp\u003e12. Allegro agitato\u003c\/p\u003e\n\u003cp\u003e13. Non allegro - Lento\u003c\/p\u003e\n\u003cp\u003e14. Allegro molto\u003c\/p\u003e\n\u003cp\u003eCD 13 – Bartók: 14 Bagatelles Etc\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – 14 Bagatelles, BB 50, Sz. 38 (Op.6)\u003c\/p\u003e\n\u003cp\u003e1. Molto sostenuto\u003c\/p\u003e\n\u003cp\u003e2. Allegro giocoso\u003c\/p\u003e\n\u003cp\u003e3. Andante\u003c\/p\u003e\n\u003cp\u003e4. Grave\u003c\/p\u003e\n\u003cp\u003e5. Vivo\u003c\/p\u003e\n\u003cp\u003e6. Lento\u003c\/p\u003e\n\u003cp\u003e7. Allegretto molto capriccioso\u003c\/p\u003e\n\u003cp\u003e8. Andante sostenuto\u003c\/p\u003e\n\u003cp\u003e9. Allegretto grazioso\u003c\/p\u003e\n\u003cp\u003e10. Allegro\u003c\/p\u003e\n\u003cp\u003e11. Allegretto molto rubato\u003c\/p\u003e\n\u003cp\u003e12. Rubato\u003c\/p\u003e\n\u003cp\u003e13. Lento funebre (Elle est morte)\u003c\/p\u003e\n\u003cp\u003e14. Waltz (Presto) (Ma mie qui danse)\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – 2 Elegies, BB 49 Sz. 41 (Op.8b)\u003c\/p\u003e\n\u003cp\u003e15. Grave\u003c\/p\u003e\n\u003cp\u003e16. Molto adagio, sempre rubato\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – 6 Roumanian Folk Dances, BB 68, Sz. 56\u003c\/p\u003e\n\u003cp\u003e17. Stick Dance\u003c\/p\u003e\n\u003cp\u003e18. Sash Dance\u003c\/p\u003e\n\u003cp\u003e19. In One Spot\u003c\/p\u003e\n\u003cp\u003e20. Horn Dance\u003c\/p\u003e\n\u003cp\u003e21. Roumanian Polka\u003c\/p\u003e\n\u003cp\u003e22. Fast Dance\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Sonatina, BB 69, Sz. 55\u003c\/p\u003e\n\u003cp\u003e23. Allegretto - Allegro\u003c\/p\u003e\n\u003cp\u003e24. Moderato\u003c\/p\u003e\n\u003cp\u003e25. Allegro vivace\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – 3 Hungarian Folk Tunes, BB 80b, Sz. 66\u003c\/p\u003e\n\u003cp\u003e26. Andante tranquillo, rubato\u003c\/p\u003e\n\u003cp\u003e27. Allegro non troppo, un poco rubato\u003c\/p\u003e\n\u003cp\u003e28. Maestoso\u003c\/p\u003e\n\u003cp\u003eCD 14 – Bartók: 2 Roumanian Dances; 4 Dirges; Suite\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – 2 Roumanian Dances, BB 56, Sz. 43 (Op.8a)\u003c\/p\u003e\n\u003cp\u003e1. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e2. Poco allegro\u003c\/p\u003e\n\u003cp\u003e3. Béla Bartók – 3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a\u003c\/p\u003e\n\u003cp\u003e4. Béla Bartók – Allegro barbaro, BB 63, Sz. 49\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – 4 Dirges, BB 58, Sz. 45 (Op.9a)\u003c\/p\u003e\n\u003cp\u003e5. Adagio\u003c\/p\u003e\n\u003cp\u003e6. Andante\u003c\/p\u003e\n\u003cp\u003e7. Poco Lento\u003c\/p\u003e\n\u003cp\u003e8. Assai andante\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Suite, BB 70, Sz. 62 (Op.14)\u003c\/p\u003e\n\u003cp\u003e9. Allegretto\u003c\/p\u003e\n\u003cp\u003e10. Scherzo\u003c\/p\u003e\n\u003cp\u003e11. Allegro molto\u003c\/p\u003e\n\u003cp\u003e12. Sostenuto\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Roumanian Christmas Carols, BB 67, Sz. 57\u003c\/p\u003e\n\u003cp\u003e13. 1st Series\u003c\/p\u003e\n\u003cp\u003e14. 2nd Series\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – 3 Studies, BB 81, Sz. 72 (Op.18)\u003c\/p\u003e\n\u003cp\u003e15. Allegro molto\u003c\/p\u003e\n\u003cp\u003e16. Andante sostenuto - Più mosso\u003c\/p\u003e\n\u003cp\u003e17. Rubato - Molto sostenuto - Tempo giusto - Rubato\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – 3 Rondos on Folk Tunes, BB 92, Sz. 84\u003c\/p\u003e\n\u003cp\u003e18. Andante - Allegro molto - Più vivo - Tempo I - Allegro giocoso - Tempo I\u003c\/p\u003e\n\u003cp\u003e19. Vivacissimo - Allegro non troppo - Tempo I - Allegro assai - Un poco meno mosso - Allegro assai - Tempo I - Allegro non troppo - Tempo I\u003c\/p\u003e\n\u003cp\u003e20. Allegro molto - Meno mosso - Tempo I - Meno mosso - Tempo I - Molto tranquillo - Più lento - Allegro - Meno mosso - Più mosso - Tempo I\u003c\/p\u003e\n\u003cp\u003e21. Béla Bartók – First Term at the Piano, BB 66, Sz. 53\u003c\/p\u003e\n\u003cp\u003eCD 15 – Bartók: For Children\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – For Children, BB 53, Sz.42 - Volume 1\u003c\/p\u003e\n\u003cp\u003e1. No.1 Allegro - No.2 Andante - No.3 Quasi adagio\u003c\/p\u003e\n\u003cp\u003e2. No.4 Allegro - No.5 Allegretto - No.6 Allegro\u003c\/p\u003e\n\u003cp\u003e3. No.7 Andante grazioso - No.8 Allegretto\u003c\/p\u003e\n\u003cp\u003e4. No.9 Adagio - No.10 Allegro molto - No.11 Lento - No.12 Allegro\u003c\/p\u003e\n\u003cp\u003e5. No.13 Andante - No.14 Allegretto - No.15 Allegro moderato\u003c\/p\u003e\n\u003cp\u003e6. No.16 Andante rubato - No.17 Lento\u003c\/p\u003e\n\u003cp\u003e7. No.18 Andante non troppo - No.19 Allegretto - No.20 Allegro - No.21 Allegro robusto\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – For Children, BB 53, Sz.42 - Volume 2\u003c\/p\u003e\n\u003cp\u003e8. No.22 Allegretto - No.23 Allegro grazioso - No.24 Andante sostenuto - No.25 Parlando\u003c\/p\u003e\n\u003cp\u003e9. No.26 Moderato - No.27 Allegramente - No.28 Andante - No.29 Allegro scherzando\u003c\/p\u003e\n\u003cp\u003e10. No.30 Allegro ironico - No.31 Andante tranquillo - No. 32 Andante - No.33 Allegro non troppo\u003c\/p\u003e\n\u003cp\u003e11. No.34 Allegretto - No.35 Con moto - No.36 Vivace - No. Allegro\u003c\/p\u003e\n\u003cp\u003e12. No.38 Molto Vivace - No.39 Allegro moderato\u003c\/p\u003e\n\u003cp\u003e13. No.40 Allegro vivace\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – For Children, BB 53, Sz.42 - Volume 3\u003c\/p\u003e\n\u003cp\u003e14. No.1 Allegro - No.2 Andante - No.3 Allegretto - No.4 Andante\u003c\/p\u003e\n\u003cp\u003e15. No.5 Molto andante - No.6 Allegro - No.7 Andante - No.8 Allegro non troppo\u003c\/p\u003e\n\u003cp\u003e16. No.9 Andante - No.10 Largo\u003c\/p\u003e\n\u003cp\u003e17. No.11 Lento - No.12 Andante rubato - No.13 Allegro\u003c\/p\u003e\n\u003cp\u003e18. No.14 Moderato - No.15 Molto tranquillo - No.16 Lento - No.17 Andante - No.18 Sostenuto\u003c\/p\u003e\n\u003cp\u003e19. No.19 Assai lento - No.20 Presto\u003c\/p\u003e\n\u003cp\u003e20. No.21 Allegro Moderato - No.22 Molto Allegro\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – For Children, BB 53, Sz.42 - Volume 4\u003c\/p\u003e\n\u003cp\u003e21. No.23 Andante tranquillo - No.24 Andante - No.25 Allegretto\u003c\/p\u003e\n\u003cp\u003e22. No.26 Andante molto rubato - No.27 Allegro\u003c\/p\u003e\n\u003cp\u003e23. No.28 Andante, molto rubato - No.29 Allegro non troppo No.30 Vivace\u003c\/p\u003e\n\u003cp\u003e24. No.31 Allegro - No.32 Pesante - No.33 Andante tranquillo\u003c\/p\u003e\n\u003cp\u003e25. No.34 Adagio - No.35 Moderato\u003c\/p\u003e\n\u003cp\u003e26. No.36-37 Parlando, molto rubato, Allegro moderato\u003c\/p\u003e\n\u003cp\u003e27. No.38 Lento - No.39 Lento\u003c\/p\u003e\n\u003cp\u003eCD 16 – Bartók: Sonata; Out Doors; Nine Little Pieces; Petite Suite\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Sonata for Piano, Sz. 80 (BB 88)\u003c\/p\u003e\n\u003cp\u003e1. Allegro moderato\u003c\/p\u003e\n\u003cp\u003e2. Sostenuto e pesante\u003c\/p\u003e\n\u003cp\u003e3. Allegro molto\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Out Doors, BB 89, Sz. 81 - Volume 1\u003c\/p\u003e\n\u003cp\u003e4. With Drums and Pipes\u003c\/p\u003e\n\u003cp\u003e5. Barcarolla\u003c\/p\u003e\n\u003cp\u003e6. Musettes\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Out Doors, BB 89, Sz. 81 - Volume 2\u003c\/p\u003e\n\u003cp\u003e7. The Night's Music\u003c\/p\u003e\n\u003cp\u003e8. The Chase\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Nine Little Piano Pieces, BB 90, Sz. 82 - Volume 1. Four Dialogues\u003c\/p\u003e\n\u003cp\u003e9. Moderato\u003c\/p\u003e\n\u003cp\u003e10. Andante\u003c\/p\u003e\n\u003cp\u003e11. Lento\u003c\/p\u003e\n\u003cp\u003e12. Allegro vivace\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Nine Little Piano Pieces, BB 90, Sz. 82 - Volume 2\u003c\/p\u003e\n\u003cp\u003e13. Menuetto\u003c\/p\u003e\n\u003cp\u003e14. Air\u003c\/p\u003e\n\u003cp\u003e15. Marcia Delle Bestie\u003c\/p\u003e\n\u003cp\u003e16. Tambourine\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Nine Little Piano Pieces, BB 90, Sz. 82 - Volume 3\u003c\/p\u003e\n\u003cp\u003e17. Preludio - All' Ungherese\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Petite Suite, BB 113, Sz. 105 (Arr. of the 44 Duos for two violins, Sz. 98)\u003c\/p\u003e\n\u003cp\u003e18. Slow Tune\u003c\/p\u003e\n\u003cp\u003e19. Walachian Dance\u003c\/p\u003e\n\u003cp\u003e20. Whirling Dance\u003c\/p\u003e\n\u003cp\u003e21. Quasi Pizzicato\u003c\/p\u003e\n\u003cp\u003e22. Ruthenian Dance\u003c\/p\u003e\n\u003cp\u003e23. Bagpipes\u003c\/p\u003e\n\u003cp\u003eCD 17 – Bartók: Mikrokosmos Books 1-3\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Mikrokosmos, Sz. 107 - Book 1\u003c\/p\u003e\n\u003cp\u003e1. No.1 Unison Melody (1)\u003c\/p\u003e\n\u003cp\u003e2. No.2 Unison Melody (2) (Version a \u0026amp; b)\u003c\/p\u003e\n\u003cp\u003e3. No.3 Unison Melody (3)\u003c\/p\u003e\n\u003cp\u003e4. No.4 Unison Melody (4)\u003c\/p\u003e\n\u003cp\u003e5. No.5 Unison Melody (5)\u003c\/p\u003e\n\u003cp\u003e6. No.6 Unison Melody (6)\u003c\/p\u003e\n\u003cp\u003e7. No.7 Dotted Notes\u003c\/p\u003e\n\u003cp\u003e8. No.8 Repetition\u003c\/p\u003e\n\u003cp\u003e9. No.9 Syncopation\u003c\/p\u003e\n\u003cp\u003e10. No.10 With Alternate Hands\u003c\/p\u003e\n\u003cp\u003e11. No.11 Parallel Motion\u003c\/p\u003e\n\u003cp\u003e12. No.12 Reflection\u003c\/p\u003e\n\u003cp\u003e13. No.13 Change of Position\u003c\/p\u003e\n\u003cp\u003e14. No.14 Question and Answer\u003c\/p\u003e\n\u003cp\u003e15. No.15 Village Song\u003c\/p\u003e\n\u003cp\u003e16. No.16 Parellel Motion with Change of Position\u003c\/p\u003e\n\u003cp\u003e17. No.17 Contrary Motion\u003c\/p\u003e\n\u003cp\u003e18. No.18 Unison Melody (1)\u003c\/p\u003e\n\u003cp\u003e19. No.19 Unison Melody (2)\u003c\/p\u003e\n\u003cp\u003e20. No.20 Unison Melody (3)\u003c\/p\u003e\n\u003cp\u003e21. No.21 Unison Melody (4)\u003c\/p\u003e\n\u003cp\u003e22. No.22 Imitation and Counterpoint\u003c\/p\u003e\n\u003cp\u003e23. No.23 Imitation and Inversion\u003c\/p\u003e\n\u003cp\u003e24. No.24 Pastorale\u003c\/p\u003e\n\u003cp\u003e25. No.25 Imitaiton and Inversion\u003c\/p\u003e\n\u003cp\u003e26. No.26 Repetition\u003c\/p\u003e\n\u003cp\u003e27. No.27 Sycopation\u003c\/p\u003e\n\u003cp\u003e28. No.28 Canon at the Octave\u003c\/p\u003e\n\u003cp\u003e29. No.29 Imitation Reflected Zoltán Kocsis\u003c\/p\u003e\n\u003cp\u003e30. No.30 Canon at the Lower Fifth\u003c\/p\u003e\n\u003cp\u003e31. No.31 Dance in Canon Form\u003c\/p\u003e\n\u003cp\u003e32. No.32 In Dorian Mode\u003c\/p\u003e\n\u003cp\u003e33. No.33 Slow Dance\u003c\/p\u003e\n\u003cp\u003e34. No.34 In Phrygian Mode\u003c\/p\u003e\n\u003cp\u003e35. No.35 Chorale\u003c\/p\u003e\n\u003cp\u003e36. No.36 Free Canon\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Mikrokosmos, Sz. 107 - Book 2\u003c\/p\u003e\n\u003cp\u003e37. No.37 In Lydian Mode\u003c\/p\u003e\n\u003cp\u003e38. No.38 Staccato and Legato\u003c\/p\u003e\n\u003cp\u003e39. No.39 Staccato and Legato (Canon)\u003c\/p\u003e\n\u003cp\u003e40. No.40 In Yugoslav Style\u003c\/p\u003e\n\u003cp\u003e41. No.41 Melody with Accompaniment\u003c\/p\u003e\n\u003cp\u003e42. No.42 Acompaniment in Broken Triads\u003c\/p\u003e\n\u003cp\u003e43. No.43 In Hungarian Style (Version a: 2 pianos; version b: piano solo)\u003c\/p\u003e\n\u003cp\u003e44. No.44 Contrary Motion (2 pianos)\u003c\/p\u003e\n\u003cp\u003e45. No.45 Méditation\u003c\/p\u003e\n\u003cp\u003e46. No.46 Increasing - Diminishing\u003c\/p\u003e\n\u003cp\u003e47. No.47 County Fair\u003c\/p\u003e\n\u003cp\u003e48. No.48 In Mixolydian Mode\u003c\/p\u003e\n\u003cp\u003e49. No.49 Crescendo - Diminuendo\u003c\/p\u003e\n\u003cp\u003e50. No.50 Minuetto\u003c\/p\u003e\n\u003cp\u003e51. No.51 Waves\u003c\/p\u003e\n\u003cp\u003e52. No.52 Unison Divided\u003c\/p\u003e\n\u003cp\u003e53. No.53 In Transylvanian Style\u003c\/p\u003e\n\u003cp\u003e54. No.54 Chromatics\u003c\/p\u003e\n\u003cp\u003e55. No.55 Triplets in Lydian Mode (2 pianos)\u003c\/p\u003e\n\u003cp\u003e56. No.56 Melody in Tenths\u003c\/p\u003e\n\u003cp\u003e57. No.57 Accents\u003c\/p\u003e\n\u003cp\u003e58. No.58 In Oriental Style\u003c\/p\u003e\n\u003cp\u003e59. No.59 Major and Minor\u003c\/p\u003e\n\u003cp\u003e60. No.60 Canon with Sustained Notes\u003c\/p\u003e\n\u003cp\u003e61. No.61 Pentatonic Melody\u003c\/p\u003e\n\u003cp\u003e62. No.62 Minor Sixths in Parallel Motion\u003c\/p\u003e\n\u003cp\u003e63. No.63 Buzzing\u003c\/p\u003e\n\u003cp\u003e64. No.64 Line against Point (Version a \u0026amp; b)\u003c\/p\u003e\n\u003cp\u003e65. No.65 Dialogue\u003c\/p\u003e\n\u003cp\u003e66. No.66 Melody Divided\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Mikrokosmos, Sz. 107 - Book 3\u003c\/p\u003e\n\u003cp\u003e67. No.67 Thirds against a Single Voice\u003c\/p\u003e\n\u003cp\u003e68. No.68 Hungarian Dance (2 pianos)\u003c\/p\u003e\n\u003cp\u003e69. No.69 Study in Chords\u003c\/p\u003e\n\u003cp\u003e70. No.70 Melody against Double Notes\u003c\/p\u003e\n\u003cp\u003e71. No.71 Thirds\u003c\/p\u003e\n\u003cp\u003e72. No.72 Dragons' Dance\u003c\/p\u003e\n\u003cp\u003e73. No.73 Sixths and Triads\u003c\/p\u003e\n\u003cp\u003e74. No.74 Hungarian Machmaking Song (Version a \u0026amp; b; version b with voice)\u003c\/p\u003e\n\u003cp\u003e75. No.75 Triplets\u003c\/p\u003e\n\u003cp\u003e76. No.76 In Three Parts\u003c\/p\u003e\n\u003cp\u003e77. No.77 Little Study\u003c\/p\u003e\n\u003cp\u003e78. No.78 Five-tone Scale\u003c\/p\u003e\n\u003cp\u003e79. No.79 Hommage à J.S.B.\u003c\/p\u003e\n\u003cp\u003e80. No.80 Hommage à R.Sch.\u003c\/p\u003e\n\u003cp\u003e81. No.81 Wandering\u003c\/p\u003e\n\u003cp\u003e82. No.82 Scherzo\u003c\/p\u003e\n\u003cp\u003e83. No.83 Melody with Interruptions\u003c\/p\u003e\n\u003cp\u003e84. No.84 Merriment\u003c\/p\u003e\n\u003cp\u003e85. No.85 Broken Chords\u003c\/p\u003e\n\u003cp\u003e86. No.86 Two Major Pentachords\u003c\/p\u003e\n\u003cp\u003e87. No.87 Variations\u003c\/p\u003e\n\u003cp\u003e88. No.88 Duet for Pipes\u003c\/p\u003e\n\u003cp\u003e89. No.89 In Four Parts\u003c\/p\u003e\n\u003cp\u003e90. No.90 In Russian Style\u003c\/p\u003e\n\u003cp\u003e91. No.91 Chromatic Invention (1)\u003c\/p\u003e\n\u003cp\u003e92. No.92 Chromatic Invention (2)\u003c\/p\u003e\n\u003cp\u003e93. No.93 In Four Parts\u003c\/p\u003e\n\u003cp\u003e94. No.94 Once Upon a Time...\u003c\/p\u003e\n\u003cp\u003e95. No.95 Fox Song (Version a \u0026amp; b; version b with voice)\u003c\/p\u003e\n\u003cp\u003e96. No.96 Jolts\u003c\/p\u003e\n\u003cp\u003eCD 18 – Bartók: Mikrokosmos Books 4-6\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Mikrokosmos, Sz. 107 - Book 4\u003c\/p\u003e\n\u003cp\u003e1. No.97 Notturno\u003c\/p\u003e\n\u003cp\u003e2. No.98 Thumb under\u003c\/p\u003e\n\u003cp\u003e3. No.99 Crossed Hands\u003c\/p\u003e\n\u003cp\u003e4. No.100 In the Style of a Folk Song\u003c\/p\u003e\n\u003cp\u003e5. No.101 Diminished Fifth\u003c\/p\u003e\n\u003cp\u003e6. No.102 Harmonics\u003c\/p\u003e\n\u003cp\u003e7. No.103 Minor and Major\u003c\/p\u003e\n\u003cp\u003e8. No.104 Through the Keys (Version a \u0026amp; b)\u003c\/p\u003e\n\u003cp\u003e9. No.105 Playsong\u003c\/p\u003e\n\u003cp\u003e10. No.106 Children's Song\u003c\/p\u003e\n\u003cp\u003e11. No.107 Melody in the Mist\u003c\/p\u003e\n\u003cp\u003e12. No.108 Wrestling\u003c\/p\u003e\n\u003cp\u003e13. No.109 From the Island of Bali\u003c\/p\u003e\n\u003cp\u003e14. No.110 Clashing Sounds\u003c\/p\u003e\n\u003cp\u003e15. No.111 Intermezzo\u003c\/p\u003e\n\u003cp\u003e16. No.112 Variations on a Folk Tune\u003c\/p\u003e\n\u003cp\u003e17. No.113 Bulgarian Rhythm (1)\u003c\/p\u003e\n\u003cp\u003e18. No.114 Theme and Inversion\u003c\/p\u003e\n\u003cp\u003e19. No.115 Bulgarian Rhythm (2)\u003c\/p\u003e\n\u003cp\u003e20. No.116 Melody\u003c\/p\u003e\n\u003cp\u003e21. No.117 Bourrée\u003c\/p\u003e\n\u003cp\u003e22. No.118 Triplets in 9\/8 Time\u003c\/p\u003e\n\u003cp\u003e23. No.119 Dance in 3\/4 Time\u003c\/p\u003e\n\u003cp\u003e24. No.120 Fifth Chords\u003c\/p\u003e\n\u003cp\u003e25. No.121 Two-Part Study\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Mikrokosmos, Sz. 107 - Book 5\u003c\/p\u003e\n\u003cp\u003e26. No.122 Chords Together and Opposed\u003c\/p\u003e\n\u003cp\u003e27. No.123 Staccato and Legato (Version a \u0026amp; b)\u003c\/p\u003e\n\u003cp\u003e28. No.124 Staccato\u003c\/p\u003e\n\u003cp\u003e29. No.125 Boating\u003c\/p\u003e\n\u003cp\u003e30. No.126 Change of Time\u003c\/p\u003e\n\u003cp\u003e31. No.127 New Hungarian Folk Song (With voice)\u003c\/p\u003e\n\u003cp\u003e32. No.128 Peasant Dance\u003c\/p\u003e\n\u003cp\u003e33. No.129 Alternating Thirds\u003c\/p\u003e\n\u003cp\u003e34. No.130 Village Joke\u003c\/p\u003e\n\u003cp\u003e35. No.131 Fourths\u003c\/p\u003e\n\u003cp\u003e36. No.132 Major Seconds Broken and Together\u003c\/p\u003e\n\u003cp\u003e37. No.133 Syncopation\u003c\/p\u003e\n\u003cp\u003e38. No.134 Studies in Double Notes (Version a \u0026amp; b \u0026amp; c)\u003c\/p\u003e\n\u003cp\u003e39. No.135 Perpetuum Mobile\u003c\/p\u003e\n\u003cp\u003e40. No.136 Whole-tone Scale\u003c\/p\u003e\n\u003cp\u003e41. No.137 Unison\u003c\/p\u003e\n\u003cp\u003e42. No.138 Bagpipe\u003c\/p\u003e\n\u003cp\u003e43. No.139 Merry Andrew\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Mikrokosmos, Sz. 107 - Book 6\u003c\/p\u003e\n\u003cp\u003e44. No.140 Free Variations\u003c\/p\u003e\n\u003cp\u003e45. No.141 Subject and Reflection\u003c\/p\u003e\n\u003cp\u003e46. No.142 From the Diary of a Fly\u003c\/p\u003e\n\u003cp\u003e47. No.143 Divided Arpeggios\u003c\/p\u003e\n\u003cp\u003e48. No.144 Minor Seconds, Major Seventh\u003c\/p\u003e\n\u003cp\u003e49. No.145 Chromatic Invention (Version a \u0026amp; b)\u003c\/p\u003e\n\u003cp\u003e50. No.146 Ostinato\u003c\/p\u003e\n\u003cp\u003e51. No.147 March\u003c\/p\u003e\n\u003cp\u003e52. No.148 Dance in Bulgarian Rhythm I\u003c\/p\u003e\n\u003cp\u003e53. No.149 Dance in Bulgarian Rhythm II\u003c\/p\u003e\n\u003cp\u003e54. No.150 Dance in Bulgarian Rhythm III\u003c\/p\u003e\n\u003cp\u003e55. No.151 Dance in Bulgarian Rhythm IV\u003c\/p\u003e\n\u003cp\u003e56. No.152 Dance in Bulgarian Rhythm V\u003c\/p\u003e\n\u003cp\u003e57. No.153 Dance in Bulgarian Rhythm VI\u003c\/p\u003e\n\u003cp\u003eCD 19 – Bartók: Sketches; 15 Hungarian Peasant Songs; 8 Improvisations\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – 3 Burlesques, Sz47, Op.8c (BB55)\u003c\/p\u003e\n\u003cp\u003e1. Presto\u003c\/p\u003e\n\u003cp\u003e2. Allegretto\u003c\/p\u003e\n\u003cp\u003e3. Molto vivo, capriccioso\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Sketches, (Op.9b) Sz. 44 (BB54)\u003c\/p\u003e\n\u003cp\u003e4. Portait d'une jeune fille (Andante (con moto)\u003c\/p\u003e\n\u003cp\u003e5. Balançoire (Comodo)\u003c\/p\u003e\n\u003cp\u003e6. Lento\u003c\/p\u003e\n\u003cp\u003e7. Non troppo lento - Temp I\u003c\/p\u003e\n\u003cp\u003e8. Mélodie populaire roumaine (Andante)\u003c\/p\u003e\n\u003cp\u003e9. A la Manière Valaque (Allegretto)\u003c\/p\u003e\n\u003cp\u003e10. Poco lento\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – 15 Hungarian Peasant Songs for Piano, Sz. 71 (BB79) \/ Four Old Sorrowful Songs\u003c\/p\u003e\n\u003cp\u003e11. Rubato\u003c\/p\u003e\n\u003cp\u003e12. Andante\u003c\/p\u003e\n\u003cp\u003e13. Poco rubato\u003c\/p\u003e\n\u003cp\u003e14. Andante\u003c\/p\u003e\n\u003cp\u003e15. Scherzo (Allegro)\u003c\/p\u003e\n\u003cp\u003e16. Ballade (Andante)\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – 15 Hungarian Peasant Songs for Piano, Sz. 71 (BB79) \/ Old Dance Tunes\u003c\/p\u003e\n\u003cp\u003e17. Allegro\u003c\/p\u003e\n\u003cp\u003e18. Allegretto\u003c\/p\u003e\n\u003cp\u003e19. Allegretto\u003c\/p\u003e\n\u003cp\u003e20. L'istesso tempo\u003c\/p\u003e\n\u003cp\u003e21. Assai moderato\u003c\/p\u003e\n\u003cp\u003e22. Allegretto - 13. Poco più vivo - Tempo I\u003c\/p\u003e\n\u003cp\u003e23. Allegro\u003c\/p\u003e\n\u003cp\u003e24. Allegro\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – 8 Improvisations on Hungarian Peasant Songs, (Op.20) Sz. 74 (BB83)\u003c\/p\u003e\n\u003cp\u003e25. Molto moderato\u003c\/p\u003e\n\u003cp\u003e26. Molto capriccioso\u003c\/p\u003e\n\u003cp\u003e27. Lento, rubato\u003c\/p\u003e\n\u003cp\u003e28. Allegretto scherzando\u003c\/p\u003e\n\u003cp\u003e29. Allegro molto\u003c\/p\u003e\n\u003cp\u003e30. Allegro moderato\u003c\/p\u003e\n\u003cp\u003e31. Sostenuto, rubato\u003c\/p\u003e\n\u003cp\u003e32. Allegro\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Ten Easy Pieces, Sz. 39 (BB51)\u003c\/p\u003e\n\u003cp\u003e33. Ajánlás (Dedication)\u003c\/p\u003e\n\u003cp\u003e34. Parazsti nóta (Peasant song)\u003c\/p\u003e\n\u003cp\u003e35. Lassú vergödés (Frustration)\u003c\/p\u003e\n\u003cp\u003e36. Tót legények tánca (Slovakian boy's dance)\u003c\/p\u003e\n\u003cp\u003e37. Sostenuto\u003c\/p\u003e\n\u003cp\u003e38. Este a székelyeknél (Evening with the Széklers)\u003c\/p\u003e\n\u003cp\u003e39. Gödöllei piactére leesett a hó (Hungarian folksong)\u003c\/p\u003e\n\u003cp\u003e40. Hajnal (Dawn)\u003c\/p\u003e\n\u003cp\u003e41. Azt mondják, nem adnak (Slovakian folksong)\u003c\/p\u003e\n\u003cp\u003e42. Ujjgyakorlat (Five-finger exercise)\u003c\/p\u003e\n\u003cp\u003e43. Medvetánc (Bear dance)\u003c\/p\u003e\n\u003cp\u003eCD 20 – Bartók: Dance Suite; Four Pieces; Rhapsody, Op.1\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Dance Suite arr. solo piano, BB86b\u003c\/p\u003e\n\u003cp\u003e1. Moderato\u003c\/p\u003e\n\u003cp\u003e2. Allegro molto\u003c\/p\u003e\n\u003cp\u003e3. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e4. Molto tranquilo\u003c\/p\u003e\n\u003cp\u003e5. Comodo\u003c\/p\u003e\n\u003cp\u003e6. Finale\u003c\/p\u003e\n\u003cp\u003e7. Béla Bartók – Rhapsody, Op.1 - Long Version, 1904\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Four Piano Pieces, BB27\u003c\/p\u003e\n\u003cp\u003e8. Study for the left hand (Tanulmàny Balkèzre)\u003c\/p\u003e\n\u003cp\u003e9. Fantasia 1 (Abrand 1)\u003c\/p\u003e\n\u003cp\u003e10. Fantasia 2 (Abrand 2)\u003c\/p\u003e\n\u003cp\u003e11. Scherzo\u003c\/p\u003e\n\u003cp\u003e12. Béla Bartók – Kossuth - Symphonic Poem, BB31 - Marche funèbre for piano (arr.of Tableau 10)\u003c\/p\u003e\n\u003cp\u003e13. Béla Bartók – Rhapsody, Op.1 - Shortened Version, 1908\u003c\/p\u003e\n\u003cp\u003eCD 21 – Mozart: Piano Concertos Nos.11, 17 \u0026amp; 19\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – Piano Concerto No.19 in F, K.459\u003c\/p\u003e\n\u003cp\u003e1. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e2. Allegretto\u003c\/p\u003e\n\u003cp\u003e3. Allegro assai\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – Piano Concerto No.11 in F, K.413\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003e5. Larghetto\u003c\/p\u003e\n\u003cp\u003e6. Tempo di menuetto\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – Piano Concerto No.17 in G, K.453\u003c\/p\u003e\n\u003cp\u003e7. Allegro\u003c\/p\u003e\n\u003cp\u003e8. Andante\u003c\/p\u003e\n\u003cp\u003e9. Allegretto\u003c\/p\u003e\n\u003cp\u003eCD 22 – Liszt: Piano Concertos Nos.1 \u0026amp; 2; Dohnányi: Variations On A Nursery Theme\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – Piano Concerto No.1 in E flat, S.124\u003c\/p\u003e\n\u003cp\u003e1. Allegro maestoso\u003c\/p\u003e\n\u003cp\u003e2. Quasi adagio - Allegretto vivace - Allegro animato\u003c\/p\u003e\n\u003cp\u003e3. Allegro marziale animato\u003c\/p\u003e\n\u003cp\u003e4. Allegro marziale animato\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – Piano Concerto No.2 in A, S.125\u003c\/p\u003e\n\u003cp\u003e5. 1a. Adagio sostenuto assai\u003c\/p\u003e\n\u003cp\u003e6. 1b. Allegro agitato assai\u003c\/p\u003e\n\u003cp\u003e7. 2. Allegro moderato\u003c\/p\u003e\n\u003cp\u003e8. 3a. Allegro deciso\u003c\/p\u003e\n\u003cp\u003e9. 3b. Marziale un poco meno allegro\u003c\/p\u003e\n\u003cp\u003e10. 4. Allegro animato\u003c\/p\u003e\n\u003cp\u003eErnő Dohnányi – Variations on a Nursery Song, Op.25\u003c\/p\u003e\n\u003cp\u003e11. Introduzione (Maestoso)\u003c\/p\u003e\n\u003cp\u003e12. Tema (Allegro)\u003c\/p\u003e\n\u003cp\u003e13. Var.1: Poco più mosso\u003c\/p\u003e\n\u003cp\u003e14. Var.2: Risoluto\u003c\/p\u003e\n\u003cp\u003e15. Var.3\u003c\/p\u003e\n\u003cp\u003e16. Var.4: Molto meno mosso (Allegretto moderato)\u003c\/p\u003e\n\u003cp\u003e17. Var.5: Più mosso\u003c\/p\u003e\n\u003cp\u003e18. Var.6: Ancora più mosso (Allegro)\u003c\/p\u003e\n\u003cp\u003e19. Var.7: Walzer (Tempo giusto)\u003c\/p\u003e\n\u003cp\u003e20. Var.8: Alla marcia (Allegro moderato)\u003c\/p\u003e\n\u003cp\u003e21. Var.9: Presto - Andante rubato\u003c\/p\u003e\n\u003cp\u003e22. Var.10: Passacaglia (Adagio non troppo)\u003c\/p\u003e\n\u003cp\u003e23. Var.11: Choral (Maestoso)\u003c\/p\u003e\n\u003cp\u003e24. Finale Fugato (Allegro vivace - Tempo del tema -Molto allegro)\u003c\/p\u003e\n\u003cp\u003eCD 23 – Rachmaninov: Piano Concertos Nos. 1 \u0026amp; 4; Rhapsody On A Theme Of Paganini\u003c\/p\u003e\n\u003cp\u003eSergey Vasil'yevich Rachmaninov – Piano Concerto No. 1 in F Sharp Minor, Op. 1\u003c\/p\u003e\n\u003cp\u003e1. Vivace\u003c\/p\u003e\n\u003cp\u003e2. Andante\u003c\/p\u003e\n\u003cp\u003e3. Allegro vivace\u003c\/p\u003e\n\u003cp\u003eSergey Vasil'yevich Rachmaninov – Piano Concerto No.4 in G minor, Op.40\u003c\/p\u003e\n\u003cp\u003e4. Allegro vivace (Alla breve)\u003c\/p\u003e\n\u003cp\u003e5. Largo\u003c\/p\u003e\n\u003cp\u003e6. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e7. Sergey Vasil'yevich Rachmaninov – Rhapsody on a Theme of Paganini, Op.43\u003c\/p\u003e\n\u003cp\u003eCD 24 – Rachmaninov: Piano Concertos Nos. 2 \u0026amp; 3; Vocalise\u003c\/p\u003e\n\u003cp\u003eSergey Vasil'yevich Rachmaninov – Piano Concerto No. 2 in C Minor, Op. 18\u003c\/p\u003e\n\u003cp\u003e1. Moderato\u003c\/p\u003e\n\u003cp\u003e2. Adagio sostenuto\u003c\/p\u003e\n\u003cp\u003e3. Allegro scherzando\u003c\/p\u003e\n\u003cp\u003eSergey Vasil'yevich Rachmaninov – Piano Concerto No. 3 in D Minor, Op. 30\u003c\/p\u003e\n\u003cp\u003e4. Allegro ma non tanto\u003c\/p\u003e\n\u003cp\u003e5. Intermezzo (Adagio)\u003c\/p\u003e\n\u003cp\u003e6. Finale (Alla breve)\u003c\/p\u003e\n\u003cp\u003e7. Sergey Vasil'yevich Rachmaninov – Vocalise, Op.34, No.14\u003c\/p\u003e\n\u003cp\u003eCD 25 – Bartók: Rhapsody; Scherzo; Music For Strings, Percussion \u0026amp; Celeste\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Rhapsody for Piano and Orchestra, (Op.1) Sz. 27\u003c\/p\u003e\n\u003cp\u003e1. Adagio molto\u003c\/p\u003e\n\u003cp\u003e2. Poco allegretto\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Scherzo for Piano and Orchestra, (Op.2) Sz. 28\u003c\/p\u003e\n\u003cp\u003e3. Intoduzione (Adagio ma non troppo)\u003c\/p\u003e\n\u003cp\u003e4. Allegro vivace - Scherzo (Allegro)\u003c\/p\u003e\n\u003cp\u003e5. Trio (Andante)\u003c\/p\u003e\n\u003cp\u003e6. Scherzo da capo (Allegro vivace)\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Music for Strings, Percussion and Celesta, Sz. 106\u003c\/p\u003e\n\u003cp\u003e7. Andante tranquillo\u003c\/p\u003e\n\u003cp\u003e8. Allegro\u003c\/p\u003e\n\u003cp\u003e9. Adagio\u003c\/p\u003e\n\u003cp\u003e10. Allegro molto\u003c\/p\u003e\n\u003cp\u003eCD 26 – Bartók: Piano Concertos Nos. 1-3\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Piano Concerto No.1, BB 91, Sz. 83\u003c\/p\u003e\n\u003cp\u003e1. Allegro moderato - Allegro\u003c\/p\u003e\n\u003cp\u003e2. Andante\u003c\/p\u003e\n\u003cp\u003e3. Allegro molto\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Piano Concerto No.2, BB 101, Sz. 95\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003e5. Adagio - Più adagio - Presto\u003c\/p\u003e\n\u003cp\u003e6. Allegro molto\u003c\/p\u003e\n\u003cp\u003eBéla Bartók – Piano Concerto No.3, BB 127, Sz. 119\u003c\/p\u003e\n\u003cp\u003e7. Allegretto\u003c\/p\u003e\n\u003cp\u003e8. Adagio religioso\u003c\/p\u003e\n\u003cp\u003e9. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eBoxset Dimensions: 5.4\"x5.2\"x3.7\"\u003c\/p\u003e","brand":"Classical Centerstage Store","offers":[{"title":"Default Title","offer_id":41617588060369,"sku":"00028948515899","price":120.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/0374\/0369\/files\/ZoltanBoxset.png?v=1697116740"},{"product_id":"claudio-abbado-beethoven","title":"Claudio Abbado - Beethoven","description":"\u003cp\u003eCapbox, 10 CDs. Released as part of the Abbado box set series, this box set contains the 9 Symphonies, the piano concertos with Maurizio Pollini and the Triple Concerto with Alexander Lonquich, Ilya Gringolts, Mario Brunello as soloists. Other highlights include the Choral Fantasy with Yevgeny Kissin and “Ah! Perfido with Cheryl Studer, the overtures “Leonore No.2,” “Coriolan,” “Namensfeier,” the music to Goethe’s “Egmont,” “Die Weihe des Hauses“ and “Leonore Prohaska.\"\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eCD 1 – Beethoven: Symphony No.1 In C, Op.21; Symphony No.3 In E Flat, Op.55 -\"Eroica\" \u003cbr\u003eLudwig van Beethoven – Symphony No. 1 in C Major, Op. 21 \u003cbr\u003e1. Adagio molto - Allegro con brio \u003cbr\u003e2. Andante cantabile con moto \u003cbr\u003e3. Menuetto (Allegro molto e vivace) \u003cbr\u003e4. Finale (Adagio - Allegro molto e vivace) \u003cbr\u003eLudwig van Beethoven – Symphony No. 3 in E-Flat Major, Op. 55 - \"Eroica\" \u003cbr\u003e5. Allegro con brio \u003cbr\u003e6. Marcia funebre (Adagio assai) \u003cbr\u003e7. Scherzo (Allegro vivace) \u003cbr\u003e8. Finale (Allegro molto)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 2 – Beethoven: Symphony No.2 In D, Op.36; Symphony No.4 In B Flat, Op.60 \u003cbr\u003eLudwig van Beethoven – Symphony No. 2 in D Major, Op. 36 \u003cbr\u003e1. Adagio molto - Allegro con brio \u003cbr\u003e2. Larghetto \u003cbr\u003e3. Scherzo (Allegro) \u003cbr\u003e4. Allegro molto \u003cbr\u003eLudwig van Beethoven – Symphony No. 4 in B-Flat Major, Op. 60 \u003cbr\u003e5. Adagio - Allegro vivace \u003cbr\u003e6. Adagio \u003cbr\u003e7. Allegro vivace \u003cbr\u003e8. Allegro ma non troppo\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 3 – Beethoven: Symphony No.5 In C Minor, Op.67; Symphony No.6 In F, Op.68 -\"Pastoral\" \u003cbr\u003eLudwig van Beethoven – Symphony No. 5 in C Minor, Op. 67 \u003cbr\u003e1. Allegro con brio \u003cbr\u003e2. Andante con moto \u003cbr\u003e3. Allegro \u003cbr\u003e4. Allegro \u003cbr\u003eLudwig van Beethoven – Symphony No. 6 in F Major, Op. 68 - \"Pastoral\" \u003cbr\u003e5. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo \u003cbr\u003e6. Szene am Bach: (Andante molto mosso) \u003cbr\u003e7. Lustiges Zusammensein der Landleute (Allegro) \u003cbr\u003e8. Gewitter, Sturm (Allegro) \u003cbr\u003e9. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 4 – Beethoven: Symphony No.7 In A, Op.92; Symphony No.8 In F, Op.93 \u003cbr\u003eLudwig van Beethoven – Symphony No. 7 in A Major, Op. 92 \u003cbr\u003e1. Poco sostenuto - Vivace \u003cbr\u003e2. Allegretto \u003cbr\u003e3. Presto - Assai meno presto \u003cbr\u003e4. Allegro con brio \u003cbr\u003eLudwig van Beethoven – Symphony No. 8 in F Major, Op. 93 \u003cbr\u003e5. Allegro vivace e con brio \u003cbr\u003e6. Allegretto scherzando \u003cbr\u003e7. Tempo di menuetto \u003cbr\u003e8. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 5 – Beethoven: Symphony No.9 In D Minor, Op.125 - \"Choral\" \u003cbr\u003eLudwig van Beethoven – Symphony No. 9 in D Minor, Op. 125 - \"Choral\" \u003cbr\u003e1. Allegro ma non troppo, un poco maestoso \u003cbr\u003e2. Molto vivace \u003cbr\u003e3. Adagio molto e cantabile \u003cbr\u003e4. Presto - Allegro assai \u003cbr\u003e5. Presto - \"O Freunde nicht diese Töne\"\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 6 – Beethoven: Piano Concerto No.1 In C Major, Op.15; Piano Concerto No.2 In B Flat Major, Op.19 \u003cbr\u003eLudwig van Beethoven – Piano Concerto No. 1 in C Major, Op. 15 \u003cbr\u003e1. Allegro con brio - Cadenza: Ludwig van Beethoven \u003cbr\u003e2. Largo \u003cbr\u003e3. Rondo (Allegro scherzando) \u003cbr\u003eLudwig van Beethoven – Piano Concerto No. 2 in B-Flat Major, Op. 19 \u003cbr\u003e4. Allegro con brio - Cadenza: Ludwig van Beethoven \u003cbr\u003e5. Adagio \u003cbr\u003e6. Rondo (Molto allegro)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 7 – Beethoven: Piano Concerto No.3 In C Minor, Op.37; Piano Concerto No.4 In G, Op.58 \u003cbr\u003eLudwig van Beethoven – Piano Concerto No. 3 in C Minor, Op. 37 \u003cbr\u003e1. Allegro con brio - Cadenza: Beethoven \u003cbr\u003e2. Largo \u003cbr\u003e3. Rondo. Allegro - Presto \u003cbr\u003eLudwig van Beethoven – Piano Concerto No. 4 in G Major, Op. 58 \u003cbr\u003e4. Allegro moderato - Cadenza: Ludwig van Beethoven \u003cbr\u003e5. Andante con moto \u003cbr\u003e6. Rondo. Vivace - Cadenza: Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 8 – Beethoven: Piano Concerto No.5 In E Flat Major Op.73 -\"Emperor\"; Concerto For Piano, Violin, And Cello In C, Op.56 \u003cbr\u003eLudwig van Beethoven – Piano Concerto No. 5 in E-Flat Major, Op. 73 - \"Emperor\" \u003cbr\u003e1. Allegro \u003cbr\u003e2. Adagio un poco mosso \u003cbr\u003e3. Rondo (Allegro) \u003cbr\u003eLudwig van Beethoven - Concerto For Piano, Violin, And Cello In C, Op.56 \u003cbr\u003e4. Allegro \u003cbr\u003e5. Largo - attacca \u003cbr\u003e6. Rondo alla Polacca\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 9 – Beethoven: Music To Goethe's Tragedy \"Egmont\" Op.84; Ah Perfido!, Op.65; Overture \"Leonore No.2\", Op.72a; Fantasia For Piano, Chorus And Orchestra In C Minor, Op.80 \u003cbr\u003eLudwig van Beethoven – Music To Goethe's Tragedy \"Egmont\", Op. 84 \u003cbr\u003e1. Ouverture - Sostenuto, ma non troppo - Allegro \u003cbr\u003e2. Lied (Clärchen): \"Die Trommel gerühret\" \u003cbr\u003e3. Entr'acte I - Andante - Allegro con brio \u003cbr\u003e4. Lied (Clärchen) \"Freudvoll und leidvoll\" \u003cbr\u003e5. Entr'acte III - Allegro - Marcia. Vivace \u003cbr\u003e6. Entr'acte IV - Poco sostenuto e risoluto - Larghetto - andante agitato \u003cbr\u003e7. Music, Marking The Death Of Clärchen - Larghetto \u003cbr\u003e8. Melodram (Egmont) \"Süßer Schlaf\" - Poco sostenuto \u003cbr\u003e9. Victory Symphony - allegro con brio \u003cbr\u003e10. Ludwig van Beethoven – Ah! perfido, Op. 65 \u003cbr\u003e11. Ludwig van Beethoven – Overture \"Leonore No.3\", Op. 72b \u003cbr\u003e12. Ludwig van Beethoven – Fantasia For Piano, Chorus And Orchestra In C Minor, Op. 80\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 10 – Beethoven: Musik Zu \"Die Weihe Des Hauses\"; Musik Zu \"Leonore Prohaska\" WoO 96 \u003cbr\u003e1. Ludwig van Beethoven – Overture \"The Consecration Of The House\", Op. 124 \u003cbr\u003eLudwig van Beethoven – Musik zu \"Die Weihe des Hauses\" (Carl Meisl) occasional play \u003cbr\u003e2. Folge dem mächtigen Ruf der Ehre! (Chor) \u003cbr\u003e3. Ohne Verschulden Knechtschaft dulden (Bariton, Sopran) \u003cbr\u003e4. Du hast in deines Ärmels Falten (Chor) \u003cbr\u003e5. No.4 Marcia alla turca \u003cbr\u003e6. \"Wo sich die Pulse jugendlich jagen\" - \"Laßt uns im Tanze\" (Chor, Sopran) \u003cbr\u003e7. Schmückt die Altäre (Chor) \u003cbr\u003e8. Es wandelt schon das Volk im Feierkleide (Rezitation) \u003cbr\u003e9. Mit reger Freude, die nie erkaltet (Bariton) \u003cbr\u003e10. \"Wir tragen...\" - Will unser Genius...\" - \"Er ist's! Wir sind erhört!\" (Chor \/ Bariton, Chor) \u003cbr\u003e11. Heil unserm Kaiser! (Chor) \u003cbr\u003eLudwig van Beethoven – Musik zu \"Leonore Prohaska\" WoO 96 (Friedrich Duncker) \/ Leonore Prohaska \u003cbr\u003e12. Wir bauen und sterben (Chor) \u003cbr\u003e13. Es blüht eine Blume im Garten mein (Sopran) \u003cbr\u003e14. Du, dem sie gewunden (Rezitation) \u003cbr\u003e15. No.4 Trauermarsch\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eBoxset Dimensions: 4.8\"x5\"x0.4\"\u003c\/p\u003e","brand":"Classical Centerstage Store","offers":[{"title":"Default Title","offer_id":41617588093137,"sku":"00028947946427","price":54.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/0374\/0369\/files\/AbbadoBoxset_e66c83ba-90d8-4648-aa11-3d2ee2ecc131.png?v=1697116973"},{"product_id":"melos-quartet-schubert-the-string-quartets","title":"Melos Quartet - Schubert: The String Quartets","description":"\u003cp\u003eFrom its uniquely rich catalogue Deutsche Grammophon presents outstanding recordings of the great classical masterpieces. Offering unbeatable value for money, the Deutsche Grammophon COLLECTORS EDITION is the ideal way of building up a comprehensive library of essential repertoire.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet (In Various Keys) D.18 (No.1)\u003c\/p\u003e\n\u003cp\u003e1. Andante - Presto vivace\u003c\/p\u003e\n\u003cp\u003e2. Menuetto\u003c\/p\u003e\n\u003cp\u003e3. Andante\u003c\/p\u003e\n\u003cp\u003e4. Presto\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet In C Major D.32 (No.2)\u003c\/p\u003e\n\u003cp\u003e5. Presto\u003c\/p\u003e\n\u003cp\u003e6. Andante\u003c\/p\u003e\n\u003cp\u003e7. Menuetto. Allegro\u003c\/p\u003e\n\u003cp\u003e8. Allegro con spirito\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet In B Flat Major, D.36 (No.3)\u003c\/p\u003e\n\u003cp\u003e9. Allegro\u003c\/p\u003e\n\u003cp\u003e10. Andante\u003c\/p\u003e\n\u003cp\u003e11. Menuetto. Allegro ma non troppo\u003c\/p\u003e\n\u003cp\u003e12. Allegretto\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - Quartet Movement In C Minor, D.103\u003c\/p\u003e\n\u003cp\u003e13. Grave - Allegro\u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet In C Major D.46 (No.4)\u003c\/p\u003e\n\u003cp\u003e1. Adagio - Allegro con moto\u003c\/p\u003e\n\u003cp\u003e2. Andante con moto\u003c\/p\u003e\n\u003cp\u003e3. Menuetto. Allegro\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet In B Flat Major D.68 (No.5)\u003c\/p\u003e\n\u003cp\u003e5. Allegro\u003c\/p\u003e\n\u003cp\u003e6. Allegro\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet In D Major D.74 (No.6)\u003c\/p\u003e\n\u003cp\u003e7. Allegro ma non troppo\u003c\/p\u003e\n\u003cp\u003e8. Andante\u003c\/p\u003e\n\u003cp\u003e9. Menuetto. Allegro\u003c\/p\u003e\n\u003cp\u003e10. Allegro\u003c\/p\u003e\n\u003cp\u003eCD 3\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet In D Major, D.94\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. Andante con moto\u003c\/p\u003e\n\u003cp\u003e3. Menuetto And Trio - Allegretto\u003c\/p\u003e\n\u003cp\u003e4. Presto\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet In B Flat Major, D.112 (Op.Post.168)\u003c\/p\u003e\n\u003cp\u003e5. Allegro ma non troppo\u003c\/p\u003e\n\u003cp\u003e6. Andante sostenuto\u003c\/p\u003e\n\u003cp\u003e7. Menuetto: Allegro\u003c\/p\u003e\n\u003cp\u003e8. Presto\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet In G Minor, D.173\u003c\/p\u003e\n\u003cp\u003e9. Allegro con brio\u003c\/p\u003e\n\u003cp\u003e10. Andantino\u003c\/p\u003e\n\u003cp\u003e11. Menuetto: Allegro vivace\u003c\/p\u003e\n\u003cp\u003e12. Allegro\u003c\/p\u003e\n\u003cp\u003eCD 4\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet No.10 In E Flat, D.87\u003c\/p\u003e\n\u003cp\u003e1. Allegro moderato\u003c\/p\u003e\n\u003cp\u003e2. Scherzo: Prestissimo\u003c\/p\u003e\n\u003cp\u003e3. Adagio\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet No.13 In A Minor, D.804 - \"Rosamunde\"\u003c\/p\u003e\n\u003cp\u003e5. Allegro ma non troppo\u003c\/p\u003e\n\u003cp\u003e6. Andante\u003c\/p\u003e\n\u003cp\u003e7. Menuetto (Allegretto)\u003c\/p\u003e\n\u003cp\u003e8. Allegro moderato\u003c\/p\u003e\n\u003cp\u003eCD 5\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet In E Major, D.353, Op.Post.125, No.2\u003c\/p\u003e\n\u003cp\u003e1. Allegro con fuoco\u003c\/p\u003e\n\u003cp\u003e2. Andante\u003c\/p\u003e\n\u003cp\u003e3. Menuetto: Allegro vivace\u003c\/p\u003e\n\u003cp\u003e4. Rondo: Allegro vivace\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet No.14 In D Minor, D.810 -\"Death and the Maiden\"\u003c\/p\u003e\n\u003cp\u003e5. Allegro\u003c\/p\u003e\n\u003cp\u003e6. Andante con moto\u003c\/p\u003e\n\u003cp\u003e7. Scherzo (Allegro molto)\u003c\/p\u003e\n\u003cp\u003e8. Presto\u003c\/p\u003e\n\u003cp\u003eCD 6\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet No.12 In C Minor, D.703 - \"Quartettsatz\"\u003c\/p\u003e\n\u003cp\u003eFranz Schubert - String Quartet No.15 In G, D.887\u003c\/p\u003e\n\u003cp\u003e2. Allegro molto moderato\u003c\/p\u003e\n\u003cp\u003e3. Andante un poco mosso\u003c\/p\u003e\n\u003cp\u003e4. Scherzo (Allegro vivace)\u003c\/p\u003e\n\u003cp\u003e5. Allegro assai\u003c\/p\u003e\n\u003cp\u003eBoxset Dimensions: \u003cstrong\u003e\u003c\/strong\u003e4.8\"x5.5\"x0.3\"\u003c\/p\u003e","brand":"Classical Centerstage Store","offers":[{"title":"Default Title","offer_id":41617588945105,"sku":"00028946315125","price":47.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/0374\/0369\/files\/SchubertBoxset_526c00c1-9d15-4da0-a44c-f605e504e65b.png?v=1697117283"},{"product_id":"quartetto-italiano-mozart-the-string-quartets","title":"Quartetto Italiano - Mozart: The String Quartets","description":"\u003cp\u003eA release series of some of the most popular Decca recordings, the Collectors Edition series is an opportunity for fans to access historic recordings at a budget price.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.1 in G, K.80\u003c\/p\u003e\n\u003cp\u003e1. Adagio\u003c\/p\u003e\n\u003cp\u003e2. Allegro\u003c\/p\u003e\n\u003cp\u003e3. Menuetto\u003c\/p\u003e\n\u003cp\u003e4. Rondo\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.2 in D, K.155\u003c\/p\u003e\n\u003cp\u003e5. Allegro\u003c\/p\u003e\n\u003cp\u003e6. Andante\u003c\/p\u003e\n\u003cp\u003e7. Molto allegro\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.3 in G, K.156\u003c\/p\u003e\n\u003cp\u003e8. Presto\u003c\/p\u003e\n\u003cp\u003e9. Adagio\u003c\/p\u003e\n\u003cp\u003e10. Tempo di Menuetto\u003c\/p\u003e\n\u003cp\u003e11. Adagio (original version)\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.4 in C, K.157\u003c\/p\u003e\n\u003cp\u003e12. Allegro\u003c\/p\u003e\n\u003cp\u003e13. Andante\u003c\/p\u003e\n\u003cp\u003e14. Presto\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.5 in F, K.158\u003c\/p\u003e\n\u003cp\u003e15. Allegro\u003c\/p\u003e\n\u003cp\u003e16. Andante un poco allegretto\u003c\/p\u003e\n\u003cp\u003e17. Tempo di Menuetto\u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.6 in B flat, K.159\u003c\/p\u003e\n\u003cp\u003e1. Andante\u003c\/p\u003e\n\u003cp\u003e2. Allegro\u003c\/p\u003e\n\u003cp\u003e3. Rondo (Allegro grazioso)\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.7 in E flat, K.160\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003e5. Un poco adagio\u003c\/p\u003e\n\u003cp\u003e6. Presto\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.8 in F, K.168\u003c\/p\u003e\n\u003cp\u003e7. Allegro\u003c\/p\u003e\n\u003cp\u003e8. Andante\u003c\/p\u003e\n\u003cp\u003e9. Menuetto\u003c\/p\u003e\n\u003cp\u003e10. Allegro\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.9 in A, K.169\u003c\/p\u003e\n\u003cp\u003e11. Molto allegro\u003c\/p\u003e\n\u003cp\u003e12. Andante\u003c\/p\u003e\n\u003cp\u003e13. Menuetto\u003c\/p\u003e\n\u003cp\u003e14. Rondeaux (Allegro)\u003c\/p\u003e\n\u003cp\u003eCD 3\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.10 in C, K.170\u003c\/p\u003e\n\u003cp\u003e1. Andante\u003c\/p\u003e\n\u003cp\u003e2. Menuetto\u003c\/p\u003e\n\u003cp\u003e3. Un poco adagio\u003c\/p\u003e\n\u003cp\u003e4. Rondeaux (Allegro)\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.11 in E flat, K.171\u003c\/p\u003e\n\u003cp\u003e5. Adagio - Allegro assai\u003c\/p\u003e\n\u003cp\u003e6. Menuetto\u003c\/p\u003e\n\u003cp\u003e7. Andante\u003c\/p\u003e\n\u003cp\u003e8. Allegro assai\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.12 in B flat, K.172\u003c\/p\u003e\n\u003cp\u003e9. Allegro spiritoso\u003c\/p\u003e\n\u003cp\u003e10. Adagio\u003c\/p\u003e\n\u003cp\u003e11. Menuetto\u003c\/p\u003e\n\u003cp\u003e12. Allegro assai\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.13 in D minor, K.173\u003c\/p\u003e\n\u003cp\u003e13. (Allegro ma molto moderato)\u003c\/p\u003e\n\u003cp\u003e14. Andantino grazioso\u003c\/p\u003e\n\u003cp\u003e15. Menuetto\u003c\/p\u003e\n\u003cp\u003e16. (Allegro)\u003c\/p\u003e\n\u003cp\u003eCD 4\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.14 in G, K.387\u003c\/p\u003e\n\u003cp\u003e1. Allegro vivace assai\u003c\/p\u003e\n\u003cp\u003e2. Allegretto\u003c\/p\u003e\n\u003cp\u003e3. Andante cantabile\u003c\/p\u003e\n\u003cp\u003e4. Molto allegro\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.15 in D minor, K.421\u003c\/p\u003e\n\u003cp\u003e5. Allegro moderato\u003c\/p\u003e\n\u003cp\u003e6. Andante\u003c\/p\u003e\n\u003cp\u003e7. Minuetto (Allegretto)\u003c\/p\u003e\n\u003cp\u003e8. Allegro ma non troppo - Più allegro\u003c\/p\u003e\n\u003cp\u003eCD 5\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.16 in E flat, K.428\u003c\/p\u003e\n\u003cp\u003e1. Allegro ma non troppo\u003c\/p\u003e\n\u003cp\u003e2. Andante con moto\u003c\/p\u003e\n\u003cp\u003e3. Allegretto\u003c\/p\u003e\n\u003cp\u003e4. Allegro vivace\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.17 in B flat, K.458 \"The Hunt\"\u003c\/p\u003e\n\u003cp\u003e5. Allegro vivace assai\u003c\/p\u003e\n\u003cp\u003e6. Moderato\u003c\/p\u003e\n\u003cp\u003e7. Adagio\u003c\/p\u003e\n\u003cp\u003e8. Allegro assai\u003c\/p\u003e\n\u003cp\u003eCD 6\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.18 in A, K.464\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. Menuetto\u003c\/p\u003e\n\u003cp\u003e3. Andante\u003c\/p\u003e\n\u003cp\u003e4. Allegro non troppo\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.19 in C, K.465 \"Dissonance\"\u003c\/p\u003e\n\u003cp\u003e5. Adagio - Allegro\u003c\/p\u003e\n\u003cp\u003e6. Andante cantabile\u003c\/p\u003e\n\u003cp\u003e7. Allegretto\u003c\/p\u003e\n\u003cp\u003e8. Allegro molto\u003c\/p\u003e\n\u003cp\u003eCD 7\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.20 in D, K.499 \"Hoffmeister\"\u003c\/p\u003e\n\u003cp\u003e1. Allegretto\u003c\/p\u003e\n\u003cp\u003e2. Menuetto (Allegretto)\u003c\/p\u003e\n\u003cp\u003e3. Adagio\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.21 in D, K.575 \"Prussian No.1\"\u003c\/p\u003e\n\u003cp\u003e5. Allegretto\u003c\/p\u003e\n\u003cp\u003e6. Andante\u003c\/p\u003e\n\u003cp\u003e7. Menuetto (Allegretto)\u003c\/p\u003e\n\u003cp\u003e8. Allegretto\u003c\/p\u003e\n\u003cp\u003eCD 8\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.22 in B flat, K.589 \"Prussian No.2\"\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. Larghetto\u003c\/p\u003e\n\u003cp\u003e3. Menuetto (Moderato)\u003c\/p\u003e\n\u003cp\u003e4. Allegro assai\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart – String Quartet No.23 in F, K.590 \"Prussian No.3\"\u003c\/p\u003e\n\u003cp\u003e5. Allegro moderato\u003c\/p\u003e\n\u003cp\u003e6. Allegretto\u003c\/p\u003e\n\u003cp\u003e7. Menuetto (Allegretto)\u003c\/p\u003e\n\u003cp\u003e8. Allegro\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eBoxset Dimensions: 5.6\"x4.9\"x0.6\"\u003c\/p\u003e","brand":"Classical Centerstage Store","offers":[{"title":"Default Title","offer_id":41617589240017,"sku":"00028947855552","price":44.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/0374\/0369\/files\/MozartBoxset_6667803d-2f9a-440a-9495-8a30fcc3c7c8.png?v=1697118390"},{"product_id":"jorge-bolet-liszt-piano-music","title":"Jorge Bolet - Liszt: Piano Music","description":"\u003cp\u003eOne of the greatest interpreters of Liszt, Jorge Bolet recorded eight volumes of his solo piano music for Decca. These recordings have previously only been available separately and at top price. An added bonus in this collector's edition box is a ninth CD, which includes the reminiscences on themes from Bellini's opera 'Norma' and the Fantasia on Hungarian folk themes.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003e1. Franz Liszt – Hungarian Rhapsody No.12 in C sharp minor, S.244\u003c\/p\u003e\n\u003cp\u003e2. Franz Liszt – Liebestraum No.3 in A flat, S.541 No.3\u003c\/p\u003e\n\u003cp\u003e3. Franz Liszt – Mephisto Waltz No.1, S.514\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – 10 Harmonies poétiques et religieuses, S.173\u003c\/p\u003e\n\u003cp\u003e4. No. 7 Funérailles\u003c\/p\u003e\n\u003cp\u003e5. Franz Liszt – Concert Paraphrase on Rigoletto, S.434 after Verdi's opera\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – 6 Etudes d'exécution transcendante d'après Paganini, S.140\u003c\/p\u003e\n\u003cp\u003e6. La Campanella\u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003e1. Franz Liszt – Die Forelle, S. 564 piano transcription after Schubert\u003c\/p\u003e\n\u003cp\u003e2. Franz Liszt – Der Müller und der Bach (after Schubert)\u003c\/p\u003e\n\u003cp\u003e3. Franz Liszt – Wohin?, S565\/5 (after Schubert)\u003c\/p\u003e\n\u003cp\u003e4. Franz Liszt – Lebe Wohl!, S563\/1 (after Schubert)\u003c\/p\u003e\n\u003cp\u003e5. Franz Liszt – Das Wandern, S565\/1 (after Schubert)\u003c\/p\u003e\n\u003cp\u003e6. Franz Liszt – Der Lindenbaum, S.561 No.7 (after Schubert, D.911)\u003c\/p\u003e\n\u003cp\u003e7. Franz Liszt – Ständchen (\"Horch, horch! die Lerch\"), S.558 No.9 piano transcription after Schubert\u003c\/p\u003e\n\u003cp\u003e8. Franz Liszt – Auf dem Wasser zu singen, S. 558 No.2 piano transcription after Schubert\u003c\/p\u003e\n\u003cp\u003e9. Franz Liszt – Die Post, S561\/4 (after Schubert)\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – Schwanengesang, S.560 - piano transcriptions after Schubert\u003c\/p\u003e\n\u003cp\u003e10. No.3 Aufenthalt\u003c\/p\u003e\n\u003cp\u003e11. Franz Liszt – Lob der Tränen, S557 (after Schubert)\u003c\/p\u003e\n\u003cp\u003e12. Franz Liszt – Erlkönig, S.558 (after Schubert, D.328)\u003c\/p\u003e\n\u003cp\u003eFranz Schubert – Fantasy In C Major \"Wanderer\", Op.15, D. 760 - Arr. Liszt\u003c\/p\u003e\n\u003cp\u003e13. Allegro con fuoco\u003c\/p\u003e\n\u003cp\u003e14. Adagio\u003c\/p\u003e\n\u003cp\u003e15. Presto\u003c\/p\u003e\n\u003cp\u003e16. Allegro\u003c\/p\u003e\n\u003cp\u003eCD 3\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – Piano Sonata in B minor, S.178\u003c\/p\u003e\n\u003cp\u003e1. Lento assai - Allegro energico - Grandioso - Recita- tivo\u003c\/p\u003e\n\u003cp\u003e2. Andante sostenuto\u003c\/p\u003e\n\u003cp\u003e3. Allegro energico - Andante sostenuto - Lento assai\u003c\/p\u003e\n\u003cp\u003e4. Franz Liszt – Valse Impromptu\u003c\/p\u003e\n\u003cp\u003e5. Franz Liszt – Liebestraum No.1, S.541 No.1\u003c\/p\u003e\n\u003cp\u003e6. Franz Liszt – Liebestraum No.2, S.541 No.2\u003c\/p\u003e\n\u003cp\u003e7. Franz Liszt – Liebestraum No.3 in A flat, S.541\u003c\/p\u003e\n\u003cp\u003e8. Franz Liszt – Grand Galop Chromatique\u003c\/p\u003e\n\u003cp\u003eCD 4\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – Années de pèlerinage: 2ème année: Italie, S.161\u003c\/p\u003e\n\u003cp\u003e1. Sposalizio\u003c\/p\u003e\n\u003cp\u003e2. Il Penseroso\u003c\/p\u003e\n\u003cp\u003e3. Canzonetta del Salvator Rosa\u003c\/p\u003e\n\u003cp\u003e4. Sonetto 47 del Petrarca\u003c\/p\u003e\n\u003cp\u003e5. Sonetto 104 del Petrarca\u003c\/p\u003e\n\u003cp\u003e6. Sonetto 123 del Petrarca\u003c\/p\u003e\n\u003cp\u003e7. Après un lecture du Dante (Fantasia quasi Sonata)\u003c\/p\u003e\n\u003cp\u003eCD 5\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – Années de pèlerinage: 1e année: Suisse, S.160\u003c\/p\u003e\n\u003cp\u003e1. La Chapelle de Guilaume Tell\u003c\/p\u003e\n\u003cp\u003e2. Au lac de Wallenstadt\u003c\/p\u003e\n\u003cp\u003e3. Pastorale\u003c\/p\u003e\n\u003cp\u003e4. Au bord d'une source\u003c\/p\u003e\n\u003cp\u003e5. Orage\u003c\/p\u003e\n\u003cp\u003e6. Vallée d'Obermann\u003c\/p\u003e\n\u003cp\u003e7. Eglogue\u003c\/p\u003e\n\u003cp\u003e8. La mal du pays\u003c\/p\u003e\n\u003cp\u003e9. Les cloches de Genêve\u003c\/p\u003e\n\u003cp\u003eCD 6\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161)\u003c\/p\u003e\n\u003cp\u003e1. Gondoliera\u003c\/p\u003e\n\u003cp\u003e2. Canzone\u003c\/p\u003e\n\u003cp\u003e3. Tarantella\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – Années de pèlerinage: 3ème année, S.163\u003c\/p\u003e\n\u003cp\u003e4. Les jeux d'eau à la Villa d'Este\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – 10 Harmonies poétiques et religieuses, S.173\u003c\/p\u003e\n\u003cp\u003e5.Bénédiction de Dieu dans la solitude\u003c\/p\u003e\n\u003cp\u003e6. Franz Liszt – Ballade No.2 in B minor, S.171\u003c\/p\u003e\n\u003cp\u003eCD 7\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – 12 Etudes d'exécution transcendante, S.139\u003c\/p\u003e\n\u003cp\u003e1. No.1 Prélude (Presto)\u003c\/p\u003e\n\u003cp\u003e2. No.2 Molto vivace\u003c\/p\u003e\n\u003cp\u003e3. No.3 Paysage (Poco adagio)\u003c\/p\u003e\n\u003cp\u003e4. No.4 Mazeppa (Presto)\u003c\/p\u003e\n\u003cp\u003e5. No.5 Feux follets (Allegretto)\u003c\/p\u003e\n\u003cp\u003e6. No.6 Vision (Lento)\u003c\/p\u003e\n\u003cp\u003e7. No.7 Eroica (Allegro)\u003c\/p\u003e\n\u003cp\u003e8. No.8 Wilde Jagd (Presto furioso)\u003c\/p\u003e\n\u003cp\u003e9. No.9 Ricordanza (Andantino)\u003c\/p\u003e\n\u003cp\u003e10. No.10 Allegro agitato molto\u003c\/p\u003e\n\u003cp\u003e11. No.11 Harmonies du soir (Andantino)\u003c\/p\u003e\n\u003cp\u003e12. No.12 Chasse neige (Andante con moto)\u003c\/p\u003e\n\u003cp\u003eCD 8\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – 2 Etudes de Concert, S.145\u003c\/p\u003e\n\u003cp\u003e1. No.1 Waldesrauschen\u003c\/p\u003e\n\u003cp\u003e2. No.2 Gnomenreigen\u003c\/p\u003e\n\u003cp\u003eFranz Liszt – 3 Etudes de Concert, S.144\u003c\/p\u003e\n\u003cp\u003e3. No. 1 in A flat \"Il lamento\" (A capriccio - Allegro cantabile)\u003c\/p\u003e\n\u003cp\u003e4. No. 2 in F minor \"La leggierezza\" (A capriccio - Quasi allegretto)\u003c\/p\u003e\n\u003cp\u003e5. No. 3 in D Flat Major - \"Un sospiro\" (Allegro affettuoso)\u003c\/p\u003e\n\u003cp\u003e6. Franz Liszt – Consolation No.1, Andante con moto, S.172, No.1\u003c\/p\u003e\n\u003cp\u003e7. Franz Liszt – Consolation No.2, S.172 No.2\u003c\/p\u003e\n\u003cp\u003e8. Franz Liszt – Consolation No.3, S.172, No.3\u003c\/p\u003e\n\u003cp\u003e9. Franz Liszt – Consolation No.4, Quasi Adagio\u003c\/p\u003e\n\u003cp\u003e10. Franz Liszt – Consolation No.5, Andantino\u003c\/p\u003e\n\u003cp\u003e11. Franz Liszt – Consolation No.6, S.172 No.6\u003c\/p\u003e\n\u003cp\u003e12. Franz Liszt – Réminiscences de Don Juan, S. 418\u003c\/p\u003e\n\u003cp\u003eCD 9\u003c\/p\u003e\n\u003cp\u003e1. Franz Liszt – Reminiscences de Norma, S.394 (after Bellini)\u003c\/p\u003e\n\u003cp\u003e2. Franz Liszt – Totentanz, S.126. Paraphrase on \"Dies Irae\"for piano and orchestra\u003c\/p\u003e\n\u003cp\u003e3. Franz Liszt – Malédiction for piano and orchestra, S121\u003c\/p\u003e\n\u003cp\u003e4. Franz Liszt – Fantasia on Hungarian Folk tunes, S.123\u003c\/p\u003e\n\u003cp\u003eBoxset Dimensions: 5.6\"x4.9\"x0.4\"\u003c\/p\u003e","brand":"Classical Centerstage Store","offers":[{"title":"Default Title","offer_id":41617590288593,"sku":"00028946780121","price":71.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/0374\/0369\/files\/LisztBoxset.png?v=1697118805"},{"product_id":"russian-national-orchestra-tchaikovsky-the-symphonies","title":"Russian National Orchestra: Tchaikovsky: The Symphonies","description":"\u003cp\u003eFor the first time ever, Mikhail Pletnev's extensive examination of Peter Tchaikovsky's symphonic oeuvre have been collected into a single box set. The seven CDs contain not only Pletnev's celebrated cycle of all Tchaikovsky symphonies from 1996, but also the Manfred Symphony and the much-loved tone poems of the Russian Romantic, including Romeo and Juliet, the Slavonic March, and the Overture Solennelle \"1812\". “All the innate aristocratic feeling Tchaikovsky could ask for \"The Penguin Guide\"\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003eSymphony No.1 In G Minor, Op.13 \"Winter Reveries\"\u003c\/p\u003e\n\u003cp\u003e1. Allegro tranquillo\u003c\/p\u003e\n\u003cp\u003e2. Adagio cantabile ma non tanto\u003c\/p\u003e\n\u003cp\u003e3. Scherzo (Allegro scherzando giocoso)\u003c\/p\u003e\n\u003cp\u003e4. Finale (Andante lugubre - Allegro maestoso)\u003c\/p\u003e\n\u003cp\u003eSlavonic March, Op.31\u003c\/p\u003e\n\u003cp\u003eFestival Overture On The Danish National Anthem, Op.15\u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003eSymphony No.2 In C Minor, Op.17 \"Little Russian\"\u003c\/p\u003e\n\u003cp\u003e1. Andante sostenuto - Allegro vivo\u003c\/p\u003e\n\u003cp\u003e2. Andantino marziale, quasi moderato\u003c\/p\u003e\n\u003cp\u003e3. Scherzo. Allegro molto vivace - Trio. L'istesso tempo\u003c\/p\u003e\n\u003cp\u003e4. Finale. Moderato assai - Allegro vivo - Presto\u003c\/p\u003e\n\u003cp\u003eFatum, Op.77\u003c\/p\u003e\n\u003cp\u003eOuverture solennelle \"1812,\" Op.49\u003c\/p\u003e\n\u003cp\u003eCD 3\u003c\/p\u003e\n\u003cp\u003eSymphony No.3 In D, Op.29 \"Polish\"\u003c\/p\u003e\n\u003cp\u003e1. Introduzione e Allegro\u003c\/p\u003e\n\u003cp\u003e2. Alla tedesca (Allegro moderato)\u003c\/p\u003e\n\u003cp\u003e3. Andante elegiaco\u003c\/p\u003e\n\u003cp\u003e4. Scherzo (Allegro vivo)\u003c\/p\u003e\n\u003cp\u003e5. Finale (Allegro con fuoco)\u003c\/p\u003e\n\u003cp\u003eRomeo And Juliet, Fantasy Overture\u003c\/p\u003e\n\u003cp\u003eCD 4\u003c\/p\u003e\n\u003cp\u003eSymphony No.4 In F Minor, Op.36\u003c\/p\u003e\n\u003cp\u003e1. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo\u003c\/p\u003e\n\u003cp\u003e2. Andantino in modo di canzone\u003c\/p\u003e\n\u003cp\u003e3. Scherzo. Pizzicato ostinato - Allegro\u003c\/p\u003e\n\u003cp\u003e4. Finale (Allegro con fuoco)\u003c\/p\u003e\n\u003cp\u003eFrancesca da Rimini, Op.32\u003c\/p\u003e\n\u003cp\u003eCD 5\u003c\/p\u003e\n\u003cp\u003eSymphony No.5 In E Minor, Op.64\u003c\/p\u003e\n\u003cp\u003e1. Andante - Allegro con anima\u003c\/p\u003e\n\u003cp\u003e2. Andante cantabile, con alcuna licenza - Moderato con anima\u003c\/p\u003e\n\u003cp\u003e3. Valse (Allegro moderato)\u003c\/p\u003e\n\u003cp\u003e4. Finale (Andante maestoso - Allegro vivace)\u003c\/p\u003e\n\u003cp\u003eHamlet - Overture-Fantasy After Shakespeare, Op.67\u003c\/p\u003e\n\u003cp\u003eCD 6\u003c\/p\u003e\n\u003cp\u003eThe Voyevode, Op.78\u003c\/p\u003e\n\u003cp\u003eCapriccio italien, Op.45\u003c\/p\u003e\n\u003cp\u003eSymphony No.6 In B Minor, Op.74 -\"Pathétique\"\u003c\/p\u003e\n\u003cp\u003e3. Adagio - Allegro non troppo\u003c\/p\u003e\n\u003cp\u003e4. Allegro con grazia\u003c\/p\u003e\n\u003cp\u003e5. Allegro molto vivace\u003c\/p\u003e\n\u003cp\u003e6. Finale (Adagio lamentoso - Andante)\u003c\/p\u003e\n\u003cp\u003eCD 7\u003c\/p\u003e\n\u003cp\u003eThe Tempest, Op.18\u003c\/p\u003e\n\u003cp\u003eManfred Symphony, Op.58\u003c\/p\u003e\n\u003cp\u003e2. Lento lugubre - Moderato con moto - Andante\u003c\/p\u003e\n\u003cp\u003e3. Vivace con spirito\u003c\/p\u003e\n\u003cp\u003e4. Andante con moto\u003c\/p\u003e\n\u003cp\u003e5. Allegro con fuoco\u003c\/p\u003e\n\u003cp\u003eBoxset Dimensions: 5.1\"x5.1\"x0.8\"\u003c\/p\u003e","brand":"Classical Centerstage Store","offers":[{"title":"Default Title","offer_id":41617590583505,"sku":"00028947786993","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/0374\/0369\/files\/RussianNationalBoxset.png?v=1697119196"},{"product_id":"vladimir-ashkenazy-mozart-the-piano-concertos","title":"Vladimir Ashkenazy: Mozart: The Piano Concertos","description":"\u003cp\u003eVladimir Ashkenazy is the pre-eminent interpreter of Rachmaninov’s music, having championed it since the outset of his career. Ashkenazy is the only musician to record all of the composer’s piano works. This collection includes all Rachmaninov’s piano music, from his earliest compositions to the final masterpieces. \u003cbr\u003e\u003cbr\u003eIn 2013, Ashkenazy celebrated his 50th anniversary as an exclusive Decca recording artist, celebrated appropriately by Decca Classics with a 50-CD Original Jackets Collection.\u003cbr\u003e\u003cbr\u003eThe Piano Concertos and \u003cem\u003eRhapsody\u003c\/em\u003e on a Theme of Paganini are here in versions with the Royal Concertgebouw Orchestra under Bernard Haitink: “The combined virtues of soloists, conductor, orchestras and recording on the new Decca are really rather remarkable” Gramophone on Piano Concerto No. 1. \u003cbr\u003e\u003cbr\u003eWhen Ashkenazy marked his 75th birthday (6 July 2012), he recorded a final album of Rachmaninov’s music, called ‘Rachmaninov Rarities’. This album includes the Seven Pieces (Moments Musicaux) Op.10, three Nocturnes, and ten shorter early works, including an unpublished 'Song without Words'. \u003cbr\u003e\u003cbr\u003eWhile the vast majority of the recording in this set are of digital-era provenance, the 11th CD includes earlier (analogue) versions of works included elsewhere in the set, including Ashkenazy’s earlier thoughts on the Corelli Variations and the Etudes-Tableaux, Op. 39.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.5 in D, K.175\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. Andante ma un poco adagio\u003c\/p\u003e\n\u003cp\u003e3. Allegro\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.6 in B Flat Major, K.238\u003c\/p\u003e\n\u003cp\u003e4. Allegro aperto\u003c\/p\u003e\n\u003cp\u003e5. Andante un poco adagio\u003c\/p\u003e\n\u003cp\u003e6. Rondeau (Allegro)\u003c\/p\u003e\n\u003cp\u003eConcerto for 3 Pianos and Orchestra (No.7) in F, K.242 \"Lodron\"\u003c\/p\u003e\n\u003cp\u003e7. Allegro\u003c\/p\u003e\n\u003cp\u003e8. Adagio\u003c\/p\u003e\n\u003cp\u003e9. Rondeau (Tempo di menuetto)\u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.8 in C, K.246 \"Lützow\"\u003c\/p\u003e\n\u003cp\u003e1. Allegro aperto\u003c\/p\u003e\n\u003cp\u003e2. Andante\u003c\/p\u003e\n\u003cp\u003e3. Rondeau (Tempo di menuetto)\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No. 9 in E Flat Major, K.271 - \"Jeunehomme\"\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003e5. Andantino\u003c\/p\u003e\n\u003cp\u003e6. Rondeau (Presto)\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.1 in F, K.37\u003c\/p\u003e\n\u003cp\u003e7. Allegro\u003c\/p\u003e\n\u003cp\u003e8. Andante\u003c\/p\u003e\n\u003cp\u003e9. Allegro\u003c\/p\u003e\n\u003cp\u003eCD 3\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.11 in F, K.413\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. Larghetto\u003c\/p\u003e\n\u003cp\u003e3. Tempo di menuetto\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.12 in A, K.414\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003e5. Andante\u003c\/p\u003e\n\u003cp\u003e6. Rondeau (Allegretto)\u003c\/p\u003e\n\u003cp\u003eConcerto for 2 Pianos and Orchestra (No.10) in E flat, K.365\u003c\/p\u003e\n\u003cp\u003e7. Allegro\u003c\/p\u003e\n\u003cp\u003e8. Andante\u003c\/p\u003e\n\u003cp\u003e9. Rondeau (Allegro)\u003c\/p\u003e\n\u003cp\u003eCD 4\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.13 in C, K.415\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. Andante\u003c\/p\u003e\n\u003cp\u003e3. Rondeau (Allegro)\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.14 in E flat, K.449\u003c\/p\u003e\n\u003cp\u003e4. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e5. Andantino\u003c\/p\u003e\n\u003cp\u003e6. Allegro ma non troppo\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.15 in B Flat Major, K.450\u003c\/p\u003e\n\u003cp\u003e7. Allegro\u003c\/p\u003e\n\u003cp\u003e8 (Andante)\u003c\/p\u003e\n\u003cp\u003e9. Allegro\u003c\/p\u003e\n\u003cp\u003eCD 5\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.16 in D Major, K.451\u003c\/p\u003e\n\u003cp\u003e1. Allegro assai\u003c\/p\u003e\n\u003cp\u003e2. Andante\u003c\/p\u003e\n\u003cp\u003e3. Rondeau (Allegro di molto)\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.17 in G Major, K.453\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003e5. Andante\u003c\/p\u003e\n\u003cp\u003e6. Allegretto - Finale: Presto\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.2 in B flat, K.39\u003c\/p\u003e\n\u003cp\u003e7. Allegro spiritoso\u003c\/p\u003e\n\u003cp\u003e8. Andante staccato\u003c\/p\u003e\n\u003cp\u003e9. Molto allegro\u003c\/p\u003e\n\u003cp\u003eCD 6\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.18 in B Flat Major, K.456\u003c\/p\u003e\n\u003cp\u003e1. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e2. Andante un poco sostenuto\u003c\/p\u003e\n\u003cp\u003e3. Allegro vivace\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.19 in F Major, K.459\u003c\/p\u003e\n\u003cp\u003e4. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e5. Allegretto\u003c\/p\u003e\n\u003cp\u003e6. Allegro assai\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.3 in D, K.40\u003c\/p\u003e\n\u003cp\u003e7. Allegro maestoso\u003c\/p\u003e\n\u003cp\u003e8. Andante\u003c\/p\u003e\n\u003cp\u003e9. Presto\u003c\/p\u003e\n\u003cp\u003eCD 7\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No. 20 in D Minor, K.466\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. Romance\u003c\/p\u003e\n\u003cp\u003e3. Rondo (Allegro assai)\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.22 in E Flat Major, K.482\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003e5. Andante\u003c\/p\u003e\n\u003cp\u003e6. Allegro - Andante cantabile - Tempo I\u003c\/p\u003e\n\u003cp\u003eCD 8\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.21 in C Major, K.467\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. Andante\u003c\/p\u003e\n\u003cp\u003e3. Allegro vivace assai\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No. 23 in A Major, K.488\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003e5. Andante\u003c\/p\u003e\n\u003cp\u003e6. Allegro assai\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.4 in G, K.41\u003c\/p\u003e\n\u003cp\u003e7. Allegro\u003c\/p\u003e\n\u003cp\u003e8. Andante\u003c\/p\u003e\n\u003cp\u003e9. Allegro\u003c\/p\u003e\n\u003cp\u003eCD 9\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.24 in C Minor, K.491\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. Larghetto\u003c\/p\u003e\n\u003cp\u003e3. Allegretto\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.25 in C, K.503\u003c\/p\u003e\n\u003cp\u003e4. Allegro maestoso\u003c\/p\u003e\n\u003cp\u003e5. Andante\u003c\/p\u003e\n\u003cp\u003e6. Allegretto\u003c\/p\u003e\n\u003cp\u003eConcert Rondo for Piano and Orchestra in D, K.382\u003c\/p\u003e\n\u003cp\u003eCD 10\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.26 in D, K.537 \"Coronation\"\u003c\/p\u003e\n\u003cp\u003e1. Allegro\u003c\/p\u003e\n\u003cp\u003e2. (Larghetto)\u003c\/p\u003e\n\u003cp\u003e3. (Allegretto)\u003c\/p\u003e\n\u003cp\u003ePiano Concerto No.27 in B Flat Major, K.595\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003e5. Larghetto\u003c\/p\u003e\n\u003cp\u003e6. Allegro\u003c\/p\u003e\n\u003cp\u003eRondo for Piano and Orchestra in A, K.386\u003c\/p\u003e\n\u003cp\u003eBoxset Dimensions: \u003cstrong\u003e\u003c\/strong\u003e5.09\"x1.11\"x5.29\"\u003c\/p\u003e","brand":"Classical Centerstage Store","offers":[{"title":"Default Title","offer_id":41617590812881,"sku":"00028944372724","price":79.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/0374\/0369\/files\/MozartVladBoxset.png?v=1697139598"},{"product_id":"emerson-string-quartet-beethoven-the-string-quartets","title":"Emerson String Quartet - Beethoven: The String Quartets","description":"\u003cp\u003eThe Mt. Everest of the string quartet canon is here conquered by the Emerson String Quartet in a set that includes Grammy®-award winning recordings.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eCD 1 – Beethoven: String Quartets, Op.18, Nos.1 - 3 \u003cbr\u003eLudwig van Beethoven – String Quartet No.3 in D, Op.18 No.3 \u003cbr\u003e1. Allegro \u003cbr\u003e2. Andante con moto \u003cbr\u003e3. Allegro \u003cbr\u003e4. Presto \u003cbr\u003eLudwig van Beethoven – String Quartet No.1 in F, Op.18 No.1 \u003cbr\u003e5. Allegro con brio \u003cbr\u003e6. Adagio affettuoso ed appassionato \u003cbr\u003e7. Scherzo (Allegro molto) \u003cbr\u003e8. Allegro \u003cbr\u003eLudwig van Beethoven – String Quartet No.2 in G, Op.18 No.2 \u003cbr\u003e9. Allegro \u003cbr\u003e10. Adagio cantabile - Allegro - Tempo I \u003cbr\u003e11. Scherzo (Allegro) \u003cbr\u003e12. Allegro molto, quasi presto\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 2 – Beethoven: String Quartets, Op.18, Nos.4 - 6 \u003cbr\u003eLudwig van Beethoven – String Quartet No.4 in C minor, Op.18 No.4 \u003cbr\u003e1. Allegro ma non tanto \u003cbr\u003e2. Andante scherzoso, quasi allegretto \u003cbr\u003e3. Menuetto (Allegretto) \u003cbr\u003e4. Allegro \u003cbr\u003eLudwig van Beethoven – String Quartet No.5 in A, Op.18 No.5 \u003cbr\u003e5. Allegro \u003cbr\u003e6. Menuetto \u003cbr\u003e7. Andante cantabile \u003cbr\u003e8. Allegro \u003cbr\u003eLudwig van Beethoven – String Quartet No.6 in B flat, Op.18 No.6 \u003cbr\u003e9. Allegro con brio \u003cbr\u003e10. Adagio ma non troppo \u003cbr\u003e11. Scherzo (Allegro) \u003cbr\u003e12. La Malinconia (Adagio - Allegretto quasi allegro - Adagio - Allegretto - Poco adagio - Prestissimo)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 3 – Beethoven: String Quartets, Op.59 \"Razumovsky\", Nos.1 \u0026amp; 2 \u003cbr\u003eLudwig van Beethoven – String Quartet No.7 In F, Op.59 No.1 - \"Rasumovsky No. 1\" \u003cbr\u003e1. Allegro \u003cbr\u003e2. Allegretto vivace e sempre scherzando \u003cbr\u003e3. Adagio molto e mesto \u003cbr\u003e4. Thème russe (Allegro) \u003cbr\u003eLudwig van Beethoven – String Quartet No.8 In E Minor, Op.59 No.2 -\"Rasumovsky No. 2\" \u003cbr\u003e5. Allegro \u003cbr\u003e6. Molto adagio \u003cbr\u003e7. Allegretto \u003cbr\u003e8. Finale (Presto)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 4 – Beethoven: String Quartets, Op.59 \"Razumovsky\", No.3, Op.74 \"Harp\" \u0026amp; Op.95 \"Quartett(O) Serioso\" \u003cbr\u003eLudwig van Beethoven – String Quartet No.9 In C, Op.59 No.3 - \"Rasumovsky No. 3\" \u003cbr\u003e1. Introduzione (Andante con moto) - Allegro vivace \u003cbr\u003e2. Andante con moto quasi allegretto \u003cbr\u003e3. Menuetto (Grazioso) \u003cbr\u003e4. Allegro molto \u003cbr\u003eLudwig van Beethoven – String Quartet No.10 In E Flat, Op.74 - \"Harp\" \u003cbr\u003e5. Poco adagio - Allegro \u003cbr\u003e6. Adagio ma non troppo \u003cbr\u003e7. Presto - Più presto quasi prestissimo \u003cbr\u003e8. Allegretto con variazioni \u003cbr\u003eLudwig van Beethoven – String Quartet No.11 In F Minor, Op.95 - \"Serioso\" \u003cbr\u003e9. Allegro con brio \u003cbr\u003e10. Allegretto ma non troppo \u003cbr\u003e11. Allegro assai vivace ma serioso \u003cbr\u003e12. Larghetto espressivo - Allegretto agitato\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 5 – Beethoven: String Quartets, Opp.127 \u0026amp; 131 \u003cbr\u003eLudwig van Beethoven – String Quartet No.12 in E flat, Op.127 \u003cbr\u003e1. Maestoso - Allegro \u003cbr\u003e2. Adagio ma non troppo e molto cantabile \u003cbr\u003e3. Scherzando vivace \u003cbr\u003e4. Finale \u003cbr\u003eLudwig van Beethoven – String Quartet No.14 in C sharp minor, Op.131 \u003cbr\u003e5. Adagio ma non troppo e molto espressivo \u003cbr\u003e6. Allegro molto vivace \u003cbr\u003e7. Allegro moderato \u003cbr\u003e8. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto \u003cbr\u003e9. Presto \u003cbr\u003e10. Adagio quasi un poco andante \u003cbr\u003e11. Allegro\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 6 – Beethoven: String Quartets; Opp.132 \u0026amp; 135 \u003cbr\u003eLudwig van Beethoven – String Quartet No.15 in A minor, Op.132 \u003cbr\u003e1. Assai sostenuto - Allegro \u003cbr\u003e2. Allegro ma non tanto \u003cbr\u003e3. Canzona di ringraziamento offerta alla divinità da un guarito, in modo lidico (Molto adagio) - Sentendo nuova forza (Andante) \u003cbr\u003e4. Alla marcia, assai vivace - Più allegro - Presto \u003cbr\u003e5. Allegro appassionato \u003cbr\u003eLudwig van Beethoven – String Quartet No.16 in F, Op.135 \u003cbr\u003e6. Allegretto \u003cbr\u003e7. Vivace \u003cbr\u003e8. Lento assai, cantante e tranquillo \u003cbr\u003e9. Der schwer gefaßte Entschluß (Grave - Allegro - Grave ma non troppo tratto - Allegro)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 7 – Beethoven: String Quartets, Opp.130 \u0026amp; 133 \u003cbr\u003eLudwig van Beethoven – String Quartet No.13 in B flat, Op.130 \u003cbr\u003e1. Adagio ma non troppo - Allegro \u003cbr\u003e2. Presto \u003cbr\u003e3. Andante con moto ma non troppo. Poco scherzando \u003cbr\u003e4. Alla danza tedesca (Allegro assai) \u003cbr\u003e5. Cavatina ( Adagio molto espressivo) \u003cbr\u003e6. Ludwig van Beethoven – Grosse Fuge in B flat, Op.133 \u003cbr\u003eLudwig van Beethoven – String Quartet No.13 in B flat, Op.130 \u003cbr\u003e7. Finale (Allegro)\u003c\/p\u003e\n\u003cp\u003eBoxset Dimensions: 5.99\"x0.74\"x5.14\"\u003c\/p\u003e","brand":"Classical Centerstage Store","offers":[{"title":"Default Title","offer_id":41617591075025,"sku":"00028947786498","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/0374\/0369\/files\/EmersonStringQuartet-Beethoven-TheStringQuartets.png?v=1697486026"}],"url":"https:\/\/shop.deccarecordsus.com\/collections\/box-set-sale-40-off.oembed","provider":"Decca Records US Official Store","version":"1.0","type":"link"}